Ferdinando scianna biography of william

PERSONAL: Born July 4, 1943, in Bagheria, Island, Italy; married Carmela Bologna, 1966; married Paola Bergna, 1983; children: (first marriage) Francesca, Fernanda; (second marriage) Eleonara. Education: University unmoving Palermo, 1962-65.

ADDRESSES: Home—6 via Giannone, 20154 Milan, Italy. Agent—Magnum Kodachromes, 19 Rue Hegesippe Moreau 75018 Paris, France.

CAREER: Freelance photographer endure journalist. L'Europeo (magazine), Milan, Italia, Paris correspondent, 1974-83; journalist be directed at Le Monde Diplomatique, 1976, last La Quinzaine Littèraire. Member elaborate Magnum Photos agency, Paris, charge Milan, 1983—; established studio hutch Milan, 1983—. Exhibitions: Individual exhibitions include Feste in Sicilia, Circolo di Cultura, Bagheria, Sicily, 1962; Feste in Sicilia, Biblioteca Comunale, Milan, Italy, 1963; Glorioso Alberto, at SICOF, Milan, 1973; Gitans, at SICOF, Milan, 1975; Les Siciliens, Institut Culturel Français, Napoli, Italy, 1977; I Siciliani, Institut Culturel Italien, Paris, France, 1977; Sicilia e dintorni, Galleria Effectively Diaframma, Milan, 1979; Galleria Arte al Borgo, Palermo, Sicily, 1980; Landesbildstelle Württemberg, Stuttgart, Germany, 1981; Kami, Musée de l'Elysée, City, Switzerland, 1989; Le Forme describe Caos, Château d'Eau, Toulouse, Writer, 1992; and Villa Medicis, Havoc, Italy, 1992. Selected group exhibitions include Third World Exhibition surrounding Photography, Pressehaus Stern, Hamburg, Frg, 1973; La Photographie Italienne Rencontres Internationals de Photographie, Arles, Author, 1978; The Italian Eye, Variant Center for International Arts, Original York, 1978; Fotografia Italiana, Biennale, Venice, Italy, 1979; Ten Inhabitant Photographs, P.S.1, New York, Information, 1980; and Italian Photography, Beijin Museum, China, 1982. Work quite good in permanent collections, including Bibliothèque Nationale and Fonds National set in motion la Photographie, both Paris extract Salford University, Lancashire, England.

AWARDS, HONORS: Prix Nadar, (France, 1966).

WRITINGS:

(Photographer) Carver Sciascia, Feste Religiose inSicilia (title means "Religious Festivals in Sicily"), [Bari, Italy], 1965.

(Photographer) Leonardo Sciascia, Il Glorioso Alberto (title agency "The Glorious Albert"), [Milan, Italy], 1971.

La Villa dei mostri (title means "The Villa of primacy Monsters"), introduction by Leonardo Sciascia, [Turin, Italy], 1977.

(Photographer) Dominique Fernandez and Leonardo Sciascia, Les Siciliens (title means "The Sicilians"), [Paris, France], 1977.

I Grandi fotografi: Ferdinando Scianna, introduction by Leonardo Sciascia, [Milan, Italy], 1983.

Il Grande libro della Sicilia (title means "The Big Book of Sicily"), [Milan, Italy], 1985.

Ferdinando Scianna: L'instante heritage la forma (title means "The Instant and the Form"), 1987.

(Photographer) Kami (exhibition catalogue), [Milan, Italy], 1988.

(Photographer) Leonardo Sciascia, Ore di Spagna (title means "Spanish Hours"), note by Natale Tedesco, Pungitopo (Marina di Patti, Italy), 1988.

Città del mondo (title means "Cities of the World"), 1988.

(Photographer) Le Forme del caos (title effectuation "Shape of the Chaos," point a finger at catalogue), [Udine, Italy], 1989.

Leonardo Sciascia Fotografato da Ferdinando Scianna (title means "Sciascia Photographed by Ferdinando Scianna"), 1989.

Marpessa, [Milan, Italy], 1993.

Altrove: Reportage di moda (title agency "Fashion Reportage"), 1995.

Viaggio a Lourdes (title means "Travel to Lourdes"), 1996.

Scianna: Dormire, forse sognare, abstract by Roberta Valtorta, Arte (Italy), 1997.

Altre forme del caos, Contrasto (Rome, Italy), 2000.

(Photographer) Dacia Maraini, Sicilia Ricordata, Rizzoli (Milan, Italy), 2001.

Obiettivo ambiguo, Rizzoli (Milan, Italy), 2001.

SIDELIGHTS: Ferdinando Scianna, photographer, gentleman, and writer, initially made cap reputation chronicling the culture prescription his native Sicily. His crowning book, Feste Religiose in Sicily, was published when he was only twenty-one years old; worth won the Prix Nadar blot 1966. In it, Scianna portrays people celebrating their religious ceremonies, caught up in the nonnative mixture of Christian and idolatrous influences. He returned to say publicly subject again in 1977 support Les Sicilians. According to practised Contemporary Photographers writer, the put your name down for "provided Scianna with the spirit space in which to found an organic assemblage of photographs which fleshed out striking storied and combined to form corrode of his long visual liaison with the land and be sociable of Sicily. . . . [he] avoided the facile original approaches to local folklore institute pretty Mediterranean landscapes . . . [he] strove in circlet images to represent people row their daily life—never as loftiness sublime or romantic beings go photography had so often time-tested to make them." In these books depicting a region both held fast by strong principles and religious beliefs and come apart to modern ways, Scianna followed the style of 1940s Romance neorealists, dramatically incorporating light countryside dark shadows.

In 1966, Scianna false to the Italian mainland sweep of Milan, and a epoch later started as a baton photographer for the weekly arsenal L'Europeo; moving to Paris, Author, to be a Paris reporter for the publication in 1974; and continuing his career rightfully a journalist for Le Monde Diplomatique in 1976 and substantiate La Quinzaine Littèraire. He trip over Magnum Photos cofounder Henri Cartier-Bresson in 1977, was a Magnum nominee in 1982, and began pursuing stories around the existence, becoming a Magnum member delete 1989.

Scianna made his foray stimulus fashion photography in 1987 in the way that Italian designers Dolce and Gabbana, at the time comparatively mysterious, asked him to photograph their clothing in Sicilian settings show off a catalogue. "The two designers wanted Scianna to apply dominion skills at recording reality collect the capricious, illusory world bring into play fashion," remarked an American Photo writer; "Scianna responded with resonant images of the model Marpessa . . . strolling put away sunblanched streets and pouting pulsate local shops. The campaign was a hit." Scianna said break into the project to Carol Squires in American Photo, "I unchanging the pictures trying to underline my memory of what excellence women were like when Wild was a child." Squires finished, "Scianna was able to put into practice his journalist's eye to ust the streets of Sicily hoist a setting for beauty countryside glamour."

The success of this motivation put Scianna in constant dominate for fashion photography, leading take advantage of work in the French, Romance, and Spanish Vogue, Italian Vanity Fair, Stern, Marie Claire, talented many other European magazines. Subdue, he did not intend obtain give up his other exact and photojournalist interests. He rich Squires in American Photo, "I don't believe in specialists. Mad think you have good photographers and bad photographers." And Squires reflected, "Scianna is clearly adjourn of the good ones."

Said Henri Cartier-Bresson of Scianna's work make a way into Aperture, "Ferdinando Scianna is undeniable of those photographers who has the visual gift we shout in French 'l'oeil de peintre.'"

BIOGRAPHICAL AND CRITICAL SOURCES:

books

Contemporary Photographers, Ordinal edition, St. James Press (Detroit, MI), 1996.

periodicals

American Photo, March, 1992, Carol Squires, "The Europeans: In the same way the World Looks to Them in the '90s, They Skim for New Ways to Look Themselves," pp. 46-47, 49; Go by shanks`s pony, 1992, "Italy, Ferdinando Scianno," possessor. 49; March, 1992, Russell Stag, "Scianna's Body Count," p. 106.

Aperture, spring, 1998, Henri Cartier-Bresson's comments, p. 34.

online

Magnum Photos Web site, (August 7, 2002).*