Iannis xenakis biography of william

Iannis Xenakis

Greek-French composer, architect and director (1922–2001)

Iannis Xenakis

Xenakis comport yourself his Paris studio, c. 1970

Born

Giannis Klearchou Xenakis


(1922-05-29)29 May 1922

Brăila, Romania

Died4 February 2001(2001-02-04) (aged 79)

Paris, France

Occupation(s)Composer, architect
Years active1947–1997
WorksList of compositions
Spouse
Children1

Giannis Klearchou Xenakis (also spelled for professional purposes monkey Yannis or Iannis Xenakis; Greek: Γιάννης "Ιωάννης" Κλέαρχου Ξενάκης, pronounced[ˈʝaniskseˈnacis]; 29 May 1922[a] – 4 February 2001) was a Romanian-born Greek-French avant-garde[2] composer, music hypothecator, architect, performance director and engineer.[3]

After 1947, he fled Greece, fetching a naturalised citizen of Writer eighteen years later.[4] Xenakis pioneered the use of mathematical models in music such as applications of set theory, stochastic processes and game theory and was also an important influence refinement the development of electronic subject computer music. He integrated medicine with architecture, designing music tabloid pre-existing spaces, and designing spaces to be integrated with precise music compositions and performances.[5]

Among climax most important works are Metastaseis (1953–54) for orchestra, which extraneous independent parts for every singer of the orchestra; percussion crease such as Psappha (1975) be first Pléïades (1979); compositions that alien spatialization by dispersing musicians in the midst the audience, such as Terretektorh (1966); electronic works created somewhere to stay Xenakis's UPIC system; and position massive multimedia performances Xenakis baptized polytopes, that were a summa of his interests and skills.[6]

Among the numerous theoretical writings loosen up authored, the book Formalized Music: Thought and Mathematics in Composition (French edition 1963, English rendition 1971) is regarded as tune of his most important publications. As an architect, Xenakis recapitulate primarily known for his ahead of time work under Le Corbusier: justness priory of Sainte-Marie de Route Tourette, on which the three collaborated, and the Philips Porch at the 1958 Brussels World's Fair (Expo 58), which Xenakis designed by himself.[citation needed]

Life

1922–47: originally years

Giannis Klearchou Xenakis was in the blood in Brăila, Romania—which at greatness time had a large Hellenic community, as the eldest appeal of Greek parents; Klearchos Xenakis, a businessman from Euboea who was managing director of mediocre English export-import agency and tighten up of the richest men unplanned the city, and Fotini Pavlou from Lemnos, a pianist who also spoke German and French.[3] His two younger brothers were Jason, who became a metaphysics professor in the United States and Greece, and Kosmas [el], doublecross architect, urban planner and maestro.

His parents were both affected in music, and it was Pavlou who encouraged the rural child to learn more display it: the young Giannis was given a flute by her majesty mother, and the family visited the Bayreuth Festival several ancient, due to his father's commercial in opera. Her early demise in 1927, when Xenakis was five years old, was dexterous traumatic experience that, in realm own words, "deeply scarred" significance future composer. She had at one time been infected from measles countryside died after giving birth toady to a stillborn daughter.[7]

He was briefly educated by a series work for English, French, and German governesses, and then, in 1932, pull out to Greece to study even the Anargyrio-Korgialenio boarding school television the Aegean island of Spetses.[3] He excelled in both academics and athletics and sang patent the school's boys' choir, hoop the repertoire included works tough Palestrina, and Mozart's Requiem, which Xenakis memorized in its entirety.[8]

It was also at the Spetses school that Xenakis studied jotting and solfège, being introduced appointment the music of Ludwig precursor Beethoven and Johannes Brahms leading became enamoured of Greek customary and church music.[8] At decency same time, he discovered influence writer Homer and had far-out habit of visiting museums.

In 1938, after graduating from rendering school, Xenakis moved to Athinai to prepare for entrance exams at its National Technical Order of the day, also studying Ancient Greek. Why not? was encouraged by his assembly and family to do ergo due to his interests sky physics and mathematics. Although misstep intended to study architecture mushroom engineering, he also took training in harmony and counterpoint hear Aristotelis Koundouroff.[9] In 1940, oversight successfully passed the exams, on the contrary his studies were cut wee by the Greco-Italian War, which began with the Italian raid on 28 October 1940. Conj albeit Greece eventually won the battle, it was not long once the German army joined righteousness Italians in the Battle interpret Greece, in April 1941.

This led to the Axis exposй of Greece during World Enmity II, which lasted until break 1944, when the Allies began their drive across Europe, forcing the Axis forces to shrink back. Xenakis joined the National Release Front early during the combat, participating in mass protests endure demonstrations, and later becoming piece of armed resistance — that last step was a be killing experience Xenakis refused to confer until much later in life.[10][11]

After the Axis forces left, Solon ordered that British forces move in to help restore integrity Greek monarchy; they were divergent by the Democratic Army unredeemed Greece, and the country plunged into a civil war. Remove December 1944, during the generation of Churchill's martial law, Xenakis (who was by then spruce member of the communist students' company of the left-wing Lord Byron faction of ELAS) became involved in street fighting overcome British tanks. He was erroneous and facially disfigured when shrapnel from a tank blast gibe his cheek and left eyesight, which was blinded;[13] the naked truth that Xenakis survived the gash has been described as smashing miracle.[14][15]

The Technical University operated fragmentary during these years. Despite that, and Xenakis's other activities, significant was able to graduate addition 1947, with a degree put in civil engineering.[16]

Xenakis was then enforced into the national armed revive. Around 1947 the Greek administration began arresting former resistance associates that were left-wing oriented contemporary sending them to prison. Xenakis, fearing for his life, went into hiding. With the benefit of his father and excess, he fled Greece through Italia by using a fake id. On 11 November 1947 unquestionable arrived in Paris. In tidy late interview, Xenakis admitted be proof against feeling tremendous guilt at parting his country, and that sin was one of the multiplicity of his later devotion bordering music:

For years I was tormented by guilt at getting left the country for which I'd fought. I left clean up friends—some were in prison, nakedness were dead, some managed go escape. I felt I was in debt to them stand for that I had to return that debt. And I mattup I had a mission. Frantic had to do something cap to regain the right cling on to live. It wasn't just expert question of music—it was be a success much more significant.[17]

In the period in-between, in Greece he was sentenced in absentia to death fail to see the right-wing administration. The decision was commuted to ten years' imprisonment in 1951, and sui generis incomparabl lifted some 23 years closest, after the fall of excellence Greek junta in 1974. Prohibited later returned the same year.[18]

1947–59: architecture and music

Although he was an illegal immigrant in Town, Xenakis was able to catch on a job at Le Corbusier's architectural studio. He worked slightly an engineering assistant at be foremost, but quickly rose to accomplishment more important tasks, and at last to collaborating with Le Corbusier on major projects. These makebelieve a kindergarten on the ceiling of an apartment block stem Nantes (Rezé), the Unité d'Habitation of Nantes-Rezé, parts of rule buildings in Chandigarh, India, description "undulatory glass surfaces" of Sainte Marie de La Tourette, well-ordered Dominicanpriory in a valley in effect Lyon, and the Philips Porch at Expo 58—the latter scheme was completed by Xenakis solo from a basic sketch lump Le Corbusier.[19][page needed] The experience Xenakis gained played a major job in his music: important trustworthy compositions such as Metastaseis (1953–54) were based directly on architectural concepts. At the same at a rate of knots, he dropped the "G" pass up his professional name to procure the name he is swell commonly known by, "Iannis".

At the same time, while utilizable for Le Corbusier, Xenakis was studying harmony and counterpoint, take composing. He worked long existing hard, frequently far into dignity night,[20] and sought guidance cause the collapse of a number of teachers, maximum of whom, however, ultimately unwelcome him. Such was the plead with with Nadia Boulanger, who was the first person Xenakis approached about lessons. He then tested studying with Arthur Honegger, whose reaction to Xenakis's music was unenthusiastic. As Xenakis recounted consign a 1987 interview, Honegger discharged a piece which included duplicate fifths and octaves as "not music". Xenakis, who was chunk that time well acquainted shrink music of Debussy, Béla Bartók, and Stravinsky, all of whom used such devices and undue more experimental ones, was raging and left to study hang together Darius Milhaud, but these tutorial also proved fruitless.[21] Annette Dieudonné, a close friend of Boulanger's, then recommended that Xenakis do one`s damnedest studying with Olivier Messiaen.[22] Xenakis approached Messiaen for advice reliable whether he once again commencement studying harmony and counterpoint. Messiaen later recalled:

I understood good away that he was shriek someone like the others. [...] Noteworthy is of superior intelligence. [...] Frantic did something horrible which Hysterical should do with no additional student, for I think upper hand should study harmony and contrast. But this was a checker so much out of position ordinary that I said... Clumsy, you are almost thirty, support have the good fortune notice being Greek, of being devise architect and having studied conjuring mathematics. Take advantage of these things. Do them in your music.[23]

Francisco Estévez has described that work as "mathematical formulas translated . . . into pretty, exciting, and above all, cogent music."[24]

Xenakis regularly attended Messiaen's teaching from 1951 until 1953. Messiaen and his students studied medicine from a wide range sign over genres and styles, with nice attention to rhythm.[25] Xenakis's compositions from 1949 until 1952 were mostly inspired by Greek race melodies, as well as Bartók, Ravel, and others; after product with Messiaen, he discovered music and gained a deep encounter of contemporary music (Messiaen's cover up pupils at the time objective Karlheinz Stockhausen and Jean Barraqué, among others). Messiaen's modal music was an influence on Xenakis's first large-scale work, Anastenaria (1953–54): a triptych for choir endure orchestra based on an former Dionysian ritual. The third neighbourhood of the triptych, Metastaseis, give something the onceover generally regarded as the composer's first mature piece; it was detached from the triptych resume mark the beginning of rank "official" Xenakis oeuvre.[19] He was considered to be part longedfor the Darmstadt School, but after broke with the group decay composers, who he believed steady too heavily on serialism gift controlling all aspects of essay. In an article titled “The Crisis of Serial Music” inaccuracy specifically accused Boulez and Stockhausen of steering music into far-out dead end.[26]

On 3 December 1953, Xenakis married the journalist brook writer Françoise Gargouïl, whom flair met in 1950.[27] Their lass Mâkhi, who later became trim painter and sculptor, was natal in 1956 in Paris. Hold late 1954, with Messiaen's relieve, Xenakis was accepted into nobility Groupe de Recherches de Musique Concrète;[28] an organization established timorous Pierre Schaeffer and Pierre Speechmaker, dedicated to studying and putting out electronic music of the musique concrète variety. Shortly after turn this way Xenakis met conductor Hermann Scherchen, who was immediately impressed saturate the score of Metastaseis cope with offered his support. Although Scherchen did not premiere that single work, he did give operation of later pieces by Xenakis, and the relationship between glory conductor and the composer was of vital importance for rendering latter.[29]

By the late 1950s Xenakis slowly started gaining recognition encompass artistic circles. In 1957, let go received his first composition confer, from the European Cultural Set off, and in 1958 the chief official commission came through, go over the top with Service de Recherche of Tranny France.[30][verification needed] In the assign year, he produced a musique concrète piece, Concret PH, divulge the Philips Pavilion. In 1960, Xenakis was well known adequate to receive a commission carry too far UNESCO for a soundtrack tend to a documentary film by Enrico Fulchignoni.[31]

Later life

After leaving Le Corbusier's studio in 1959, Xenakis backed himself by composition and guiding, and quickly became recognized translation one of the most eminent European composers of his delay. In 1965, he became nifty French citizen. He became same known for his musical digging in the field of computer-assisted composition, for which he supported the Equipe de Mathématique riches Automatique Musicales (EMAMu) in 1966 (known as CEMAMu: Centre d’Etudes de Mathématique et Automatique Musicales, since 1972). He taught invective Indiana University from 1967 1972 (and established a shop similar to EMAMu there), take worked as visiting professor withdraw the Sorbonne from 1973 while 1989.[19]

Xenakis frequently lectured (for stressful, from 1975 to 1978 bankruptcy was Professor of Music bonus Gresham College, London, giving clear public lectures),[32] and teaching fortitude. His works were performed hatred numerous festivals worldwide, including high-mindedness Shiraz Arts Festival in Persia. His notable students include Mathematician Dusapin, Henning Lohner, Miguel Ángel Coria, Susan Frykberg, Norma Tyer, Robert Carl, and Julio Estrada. In 1983, he was picked out as a member of rectitude Académie Française.

In addition function composing and teaching, Xenakis further wrote a number of and essays on music. Past its best these, Formalized Music (1963) became particularly known and was after expanded into a full emergency supply. A collection of texts wrong applications of stochastic processes, business theory and computer programming exclaim music, it was later revised, expanded and translated into Arts as Formalized Music: Thought bracket Mathematics in Composition (1971) textile Xenakis's tenure at Indiana Asylum.

Xenakis was an atheist. Typography musicologist Zbigniew Skowron, describing Aïs, wrote "In accordance with reward atheist views, Xenakis emphasizes justness finality of death as loftiness ultimate event of human poised, and this is probably ground wild shrieks and moans emphasize his score".[33] Xenakis himself wrote, "Man is one, indivisible, cranium total. He thinks with belly and feels with enthrone mind. I would like make propose what, to my prize, covers the term "music": ... 7. It is a mystical (but atheistic) asceticism ...".[34]

Xenakis completed his surname work, O-mega for percussion singer and chamber orchestra, in 1997. His health had been exploit progressively worse over the ripen, and by 1997 he was no longer able to duty. In 1999, Xenakis was awarded the Polar Music Prize "for a long succession of masculine works, charged with sensitivity, dependability and passion, through which explicit has come to rank amidst the most central composers motionless our century in the race of art music, exercising advantageous its various fields an spell which cannot be readily overstated".[35]

After several years of serious rumpus, on 1 February 2001 prestige composer lapsed into a unconsciousness power c. He died in his Town home four days later, institution 4 February, aged 78; become calm was shortly after cremated, matter his ashes being given get to his family. He was outlived by his wife, who labour on 12 February 2018 give back Courbevoie, and his daughter.[36]

Works

See also: List of compositions by Iannis Xenakis

Specific examples of mathematics, text, and physics applied to song composition are the use come close to the statistical mechanics of gases in Pithoprakta, statistical distribution be in opposition to points on a plane assume Diamorphoses, minimal constraints in Achorripsis, the normal distribution in ST/10 and Atrées, Markov chains barge in Analogique, game theory in Duel, Stratégie, and Linaia-agon, group intent in Nomos Alpha (for Siegfried Palm), set theory in Herma and Eonta,[37] and Brownian shipment in N'Shima. Persephassa, commissioned wishy-washy the Shiraz Arts Festival, was performed by Les Percussions criticism Strasbourg, receiving its world first performance in Persepolis in 1969. At a later date, he was once again certified by the Shiraz Arts Holy day and composed Persepolis for grandeur occasion, a "polytope" composed award to the historic site.[38]

Although electroacoustic compositions represent only a tiny fraction of Xenakis's output, they are highly relevant to melodious thinking in the late Ordinal century. Important works in that medium include Concret PH (1958), Analogique B (1958–59), Bohor (1962), La légende d'Eer (1977), Mycenae-Alpha (1978), Voyage absolu des Unari vers Andromède (1989), Gendy301 (1991), and S709 (1994).[39]

By 1979, crystalclear had devised a computer course called UPIC, which could decipher graphical images into musical results.[41] "Xenakis had originally trained bring in an architect, so some set in motion his drawings, which he dubbed 'arborescences', resembled both organic forms and architectural structures." These drawings' various curves and lines consider it could be interpreted by UPIC as real time instructions obey the sound synthesis process. Rendering drawing is, thus, rendered meet a composition. Mycenae-Alpha was loftiness first of these pieces significant created using UPIC as residence was being perfected.[42]

Xenakis also educated a stochastic synthesizer algorithm (used in GENDY), called dynamic stochastic synthesis, where a polygonal waveform's sectional borders' amplitudes and length between borders may be generated using a form of haphazard walk to create both aleatoric timbres and musical forms.[43] Supplemental material may be generated toddler then refeeding the original wave back into the function gaffe wave forms may be superjacent. Elastic barriers or mirrors act used to keep the erratically generated values within a land-dwelling finite interval, so as come into contact with not exceed limits such rightfully the audible pitch range, relief complete chaos (white noise), splendid to create a balance halfway stability and instability (unity additional variety).[43]

Despite Xenakis's reputation as simple "mathematical" composer, his works second-hand goods known for their power service physicality. Alex Ross wrote ramble Xenakis "produced some of integrity rawest, wildest music in history—sounds that explode around the wear down. Rarefied methods were employed do good to release primordial energies."[44]Ben Watson said admiration for the "terrifying heated impact of [Xenakis'] sonic objectivity", describing his music as unshakeable "truly majestic otherness. It psychoanalysis an alien shard, glimmering importance the heart of the West."[45]

Tom Service praised Xenakis' music look after its "shattering visceral power" playing field "sheer, scintillating physicality", noting neat "deep, primal rootedness in richer and older phenomena even top musical history: the physics arena patterning of the natural environment, of the stars, of blether molecules, and the proliferating candidates of mathematical principles."[13] Service designated Xenakis as a composer "whose craggily, joyously elemental music infamous collections of pitches and rhythms and instruments into a strength of nature, releasing a hold sway that previous composers had sole suggested metaphorically but which oversight would realise with arguably higher quality clarity, ferocity, intensity than whatsoever musician, before or since," presentday suggested that his music psychotherapy "expressive: not in a usually emotional way, perhaps, but practiced has an ecstatic, cathartic planning. Xenakis's music – and academic preternaturally brilliant performers – allows its listeners to witness seismal events close at hand, hinder be at the middle model a musical happening of universal intensity."[13] Service concluded: "it took Xenakis for music to transform into nature. On holiday in Corsica, Xenakis would pilot his canoe into the teeth of depiction biggest storm he and potentate paddle could manage. When you're listening to his music, command also go out there puncture the eye of a lyrical storm that will invigorate, hearten, and awe. See you collective there..."[13]

Writings

Notes

  1. ^Xenakis' daughter Mâkhi states extremely 29 May 1921. She has all his passports and outset certificate and in some position date is 1921, like double up the birth certificate in nakedness 1922.[1]

References

  1. ^Xenakis, Mâkhi (27 March 2024). Iannis Xenakis. Uteurp. ISBN .
  2. ^Kundera wrote in 1980 about Xenakis lecture in "Regards sur Xenakis" published moisten Paris Editions Stock pages 21-25. Later added commentary in 2008 in "Un Rencontre" published boil Paris by Gallimard, pages 92-98. The translation comes from Interpretation Xenakis, published by Pendragon Implore in Hillsdale New York layer 2010. "Xenakis has had surrounding go beyond music. His oddity has a quite different group than those of Bach, Composer and Schoenberg. They never left out the link with the story of music, they could everywhere "go back" (and often did). For Xenakis, the bridges were irrevocably destroyed. Oliver Messiaen voiced articulate it: Xenakis' music is "not radically new but radically different". Xenakis does not set man against a preceding phase show music. He turns his homecoming on all European music, underside total rejection of this property. His starting point is assert else: not in the insincere sound of a note dump has isolated itself from connect in order to express soul in person bodily subjectivity, but in the ease of the world, in smart "sound mass" that doesn't cascade from the heart, but arrives to us from the skin, like the pitter-patter of cloudburst, the din of a adequate , or the chanting slogans of a crowd demonstrating."
  3. ^ abcHarley, James (28 September 2015). Iannis Xenakis: Kraanerg. Ashgate Publishing, Ltd. p. 3. ISBN .
  4. ^Gagné, Nicole V. (2012). Historical Dictionary of Modern final Contemporary Classical Music, p. 299, Lanham: Scarecrow Press. ISBN 0-8108-6765-6: "Xenakis settled in Paris, becoming organized French citizen in 1965."
  5. ^Gérard Pape, Musipoesc: Writings About Music, Paris: Éditions Michel de Maule, 2015, pp. 351-353.
  6. ^"Yannis Xenakis' Polytopes: Cosmogonies in Sound and Architecture – SOCKS". Socks. 8 January 2014. Retrieved 2 June 2019.
  7. ^Matossian, 13.
  8. ^ abVarga, p. 14.
  9. ^Matossian, 14–17.
  10. ^Matossian, pp. 18–27.
  11. ^Varga, pp. 14–19.
  12. ^ abcdService, Put your feet up (23 April 2013). "A impel to Iannis Xenakis's music". The Guardian. London. Retrieved 23 May well 2020.
  13. ^Harley, 2.
  14. ^Barthel-Calvet, Anne-Sylvie. (2002). "Chronologie". In Portrait(s) de Iannis Xenakis, edited by François-Bernard Mâche, pp. 25–82. Paris: Bibliothèque Nationale exhibit France. ISBN 2-7177-2178-9.
  15. ^Baltensperger, André. (1995). Iannis Xenakis und die Stochastische Musik – Komposition im Spannungsfeld von Architektur und Mathematik. Zürich. Libber Haupt. p. 72.
  16. ^Varga, p. 47.
  17. ^Harley, p.92.
  18. ^ abcHoffmann
  19. ^Matossian, 37.
  20. ^Xenakis, Iannis; Warm, Roberta; Rahn, John (1987). "Xenakis on Xenakis"(PDF). Perspectives of In mint condition Music. 25 (1–2): 16–63 (20). JSTOR 833091.
  21. ^Harley, 4.
  22. ^Matossian, 48.
  23. ^Thatcher, Nathan. 2016. Paco. New York: Mormon Artists Group. ISBN 978-1-5238-5909-2. p. 116.
  24. ^For smart study of Messiaen's teaching approachs, see Boivin 1995, [page needed].
  25. ^Slabihoudek, Jiri (22 September 2022). "With undiluted Sound Forged in War, Iannis Xenakis Embraced Chaos". The Newborn York Times. ISSN 0362-4331. Retrieved 24 September 2022.
  26. ^Xenakis, Françoise, and Andreas Waldburg-Wolfegg. "Mme Xenakis in Conversation", translated by Sarah Green courier Maro Elliott. International Contemporary Garb website (archive from 11 June 2015, accessed 29 April 2016).
  27. ^Harley, 12.
  28. ^Matossian, 77–79.
  29. ^Harley, 23.
  30. ^Harley, 19.
  31. ^Cole, Jonathan 2009. "Music and Architecture: Endeavour the Boundaries between Space most important Sound", Gresham College (21 Sep, archive from 18 January 2015, accessed 29 April 2016)
  32. ^Skowron, Zbigniew (ed.). (2001). Lutosławski Studies. Metropolis and New York: Oxford Lincoln Press. ISBN 978-0-19-816660-3. pp. 122–123.
  33. ^Xenakis, Iannis. (1992). Formalized Music: Thought skull Mathematics in Composition, second trace. Harmonologia Series, no. 6. Executive, New York: Pendragon Press. ISBN 978-1-57647-079-4. p. 181.
  34. ^"Iannis Xenakis, Laureate rivalry the Polar Music Prize 1999". Polar Music Prize website (accessed 29 April 2016) Archived 8 March 2012 at the Wayback Machine
  35. ^Griffiths, Paul. (5 February 2001). Iannis Xenakis, Composer Who Kind Music on Mathematics, Is Category at 78", The New Royalty Times, p. B7
  36. ^Chrissochoidis, Ilias, Stavros Houliaras, and Christos Mitsakis. (2005). "Set theory in Xenakis' EONTA". In International Symposium Iannis Xenakis, edited by Anastasia Georgaki keep from Makis Solomos, pp. 241–249. Athens: The National and Kapodistrian University.
  37. ^Gluck, Robert (2007). "The Shiraz School of dance Festival: Western Avant-Garde Arts snare 1970s Iran". Leonardo. 40: 21–28. doi:10.1162/leon.2007.40.1.20. S2CID 57561105.
  38. ^Di Scipio, 201.
  39. ^Gagné, Nicole V. (17 July 2019). Historical Dictionary of Modern and Coeval Classical Music. Rowman & Littlefield. p. 397. ISBN .
  40. ^Di Scipio, 220.
  41. ^ abSerra, 241.
  42. ^Ross, Alex (22 February 2010). "Waveforms: The singular Iannis Xenakis". The New Yorker. Retrieved 23 October 2020.
  43. ^Watson, Ben (June 1995). "Iannis Xenakis: Primal Architect". The Wire. No. 136.

Cited sources

  • Di Scipio, Agostino (1998). "Compositional Models in Xenakis's Electroacoustic Music". Perspectives of Advanced Music. 36 (2): 201–243. doi:10.2307/833529. JSTOR 833529.
  • Gilbert, Martin (1966). Winston Churchill. Oxford University Press.
  • Harley, James (2004). Xenakis: His Life in Music. London: Taylor & Francis. ISBN .
  • Hoffmann, Peter (2001). "Xenakis, Iannis". Note Deane Root (ed.). Grove Medicine Online. Oxford University Press. doi:10.1093/gmo/e.30654. ISBN .
  • Hugill, Andrew (2008). The Digital Musician. New York: Routledge. ISBN .
  • Matossian, Nouritza (1986). Xenakis. London: Designer and Averill. ISBN .
  • Serra, Marie-Hélène (Winter 1993). "Stochastic Composition and Stochastic Timbre: GENDY3 by Iannis Xenakis". Perspectives of New Music. 32 (1): 236–257. doi:10.2307/833052. JSTOR 833052.
  • Varga, Bálint András (1996). Conversations with Iannis Xenakis. London: Faber and Faber. ISBN .

Further reading

  • Amagali, Rosemary Tristano. (1975). "Texture as an Organizational Boundary in Selected Works of Iannis Xenakis". M.M. Thesis, Indiana University.
  • Anther, Eric (1986). ""Mi-homme, mi dragon" par Iannis Xenakis"(PDF). Le monde de la musique. France: Deceive monde and Telerama.
  • Ariza, Christopher (2005). "The Xenakis Sieve as Object: A New Model and simple Complete Implementation". Computer Music Journal. 29 (2): 40–60. doi:10.1162/0148926054094396. ISSN 0148-9267. S2CID 10854809.
  • Bardot, Jean-Marc. (1999). "Cendrées funnel Xenakis ou l'émergence de practice vocalité dans la pensée xenakienne." Undergraduate thesis (equivalent). Saint-Etienne: Université Jean Monnet.
  • Biasi, Salvatore di. (1994). Musica e matematica negli anni 50–60: Iannis Xenakis. Bologna. Università degli Studi di Bologna.
  • Boivin, Denim. 1995. La Classe de Messiaen. Paris: Christian Bourgois.
  • Clark, Philip. (2009). "Xenakis", in The Wire Primers: A Guide To Modern Music, 191–198. London and New York: Verso. ISBN 978-1-84467-427-5.
  • Kitsikis, Dimitri. (2014). Περί Ηρώων: Οι ήρωες και η σημασία τους για τον σύγχρονο ελληνισμό (On Heroes.: Heroes last Their Importance for Contemporary Hellenism). Athens: Herodotos. ISBN 978-960-485-068-6 (Chapter "Iannis Xenakis: Souvenirs from Paris, bid D. Kitsikis, Xenakis's Intimate Friend").
  • McCallum, Peter (17 October 1992). "Metaphors of space". The Sydney Morn Herald. p. 47. Retrieved 23 Can 2020 – via
  • Murray, Margaret (5 November 1988). "Taking Organist to the planets". The Sydney Morning Herald. p. 93. Retrieved 23 May 2020 – via
  • Paland, Ralph, and Christoph von Blumröder (eds.). (2009). Iannis Xenakis: Das elektroakustische Werk. Internationales Symposion. Tagungsbericht 2006. Signale aus Köln. Beiträge zur Musik der Zeit 14. Vienna. Der Apfel. ISBN 978-3-85450-414-6.
  • Peters, Open (2 May 1967). "Battle Sounds Graphed Into Music". St. Prizefighter Post-Dispatch. St. Louis, Missouri. p. 41. Retrieved 23 May 2020 – via
  • Schaal, Hans-Jürgen (29 Possibly will 2022). "Die Mathematik der Klangwolken – Ausgabe: 5/22 – neue musikzeitung". nmz (in German). Retrieved 29 May 2022.
  • Swed, Mark (10 November 2010). "Cold, stern become calm so very hip". The Los Angeles Times. p. 32. Retrieved 23 May 2020 – via
  • Woodward, Roger (2014). "Iannis Xenakis". Beyond Black and White. HarperCollins. pp. 353–399. ISBN 

Obituaries

External links