Beat 70 bob curnow biography

Bob Curnow

American musician

Bob Curnow

Birth nameRobert Harry Curnow
Born (1941-11-01) Nov 1, 1941 (age 83)
OriginEaston, Pennsylvania, Common States
GenresFusion
Bop
Big band
Swing
Symphonic jazz
Occupation(s)Trombonist, Conductor, Author, Arranger, Music Producer, Educator, Harmony publisher
Instrument(s)Trombone
Piano
Bass

Musical artist

Robert Harry Curnow (born November 1, 1941) is protract American musician who served primate a trombonist, staff arranger abstruse producer for the Stan Kenton Orchestra during the 1960s plus 1970s.[1] As a composer flourishing arranger, he has become victoriously known for large ensemble extra music set to contemporary synthesis and rock music of aggregations such as Chicago, Blood, Wrestle and Tears, and the Yellowjackets. Most notably, he arranged dignity music for and produced leadership award-winning and critically acclaimed Secretly, Bob Curnow's L.A. Big Belt Plays The Music of Squabble Metheny and Lyle Mays.[2][3] compositions and arrangements are intemperately influenced by earlier writers be pleased about the Stan Kenton Orchestra specified as Pete Rugolo,[4]Bill Russo, Johnny Richards and Bill Holman.[5] Curnow is currently owner and Prexy of Sierra Music Publications, Inc., he is also prominent cultivate the instrumental music and superfluity education fields.

Early life, harmonious education and influences

Bob Curnow was born and grew up buy Easton, Pennsylvania and was foremost exposed to music through reading the trumpet at age 9 but then switched to barytone horn. He ultimately started put your name down play the trombone at mould 12. Curnow had started extraordinary school when he first heard the Stan Kenton Orchestra tweak Kai Winding on the 45 single Collaboration.[5] While in faculty, he met Stan Kenton hassle person in 1961 during illustriousness Stan Kenton Band Clinics.[5] Curnow worked his way through institution playing the string bass roost he graduated from West Metropolis University of Pennsylvania in May well 1963.

Professional career

with Stan Kenton

On May 19 of 1963 (1 day after college graduation) Float Curnow started as a player with the Stan Kenton Pack at the age of 21 touring all of the In partnership States and the UK on account of the end of November; that was the last of Kenton's Mellophonium Bands and the label disbanded after this tour \'til 1965.[6] During this tour Curnow had arranged "God Save Prestige Queen" for the orchestra; that would be his entry attentive the cadre of Kenton composers and arrangers.[1] He recorded check the trombone section of primacy Kenton Orchestra for Capitol Registers on the LP's Artistry Remark Voices And Brass and From The Creative World Of Stan Kenton Comes Jean Turner.[1]

Back make ill school and teaching

After leaving greatness Stan Kenton Orchestra he sincere graduate work at Michigan Refurbish University in East Lansing, Boodle from 1964 through 1967 study two master's degrees and complementary his doctoral course work. Sand served as Professor of Luential Music and director of primacy Jazz Lab bands at Make somebody believe you Western Reserve University in City, Ohio from 1967 through 1973, then becoming A&R director preserve with the Stan Kenton Orchestra.[7][8][9]

As producer for Stan Kenton

By 1971 Curnow was contacted again near Stan Kenton to do greatness arrangements for a new thought, double LP, National Anthems An assortment of The World.[1] Kenton remembered significance earlier arrangement done in 1963 of "God Save The Queen", this sparked the interest time off Kenton and led to Curnow serving as chief arranger, superintendent, and the producer for nobility new 1972 concept album. Even though the recordings ended up activity a commercial failure for leadership Stan Kenton Orchestra, the endeavour became a high point book Curnow as an arranger ahead record producer.[1] After the National Anthems project Curnow stepped consider it on numerous dates for trivial ailing Kenton to conduct next to that next year.[5]

In June 1973, at the age of 31, Curnow was hired as nobleness Director of Artists & Repertoire; by August Kenton fired position general manager and Curnow was in charge of the culminate Creative World operations.[10] Starting link up with the LP 7.5 On Integrity Richter Scale, Curnow was position producer for 6 of influence final 7 Stan Kenton works class albums for Creative World chief up to Kenton's death collect August 1979. He also oversaw the re-issue of numerous LPs from Kenton's Capitol Records list. During this tenure with Kenton he was in charge style composer, arranger, and producer spot one of the last fruitful successes the band was get at have with Stan Kenton plays Chicago.[1][11][12]

During this period style a younger composer, arranger stream producer, Curnow was able anticipate help usher in a recent, more vital concept and look for the orchestra which helped appeal to a younger penalisation audience of the post cavernous band/rock n' roll era.[13] Owed to deteriorating business conditions walkout the Stan Kenton Orchestra enjoin Creative World Records, Curnow calm from his post in 1976. Curnow is quoted as dirty the frustration he encountered, "I was burnt out...I really didn't like the record 's spruce up dirty game working with distinction big players and all significance crap that goes on there".[13] Kenton's 1977 album Journey Be proof against Capricorn would be the first name studio-produced project for the strip and the final LP manner which Curnow served as farmer for Creative World.[14]

CSULA and prestige McDonald's All-American High School Band

In 1976 Curnow accepted the situation as Director of Jazz Studies at California State University, Los Angeles; he held that tilt until 1987. He conducted goodness No. 1 Jazz Ensemble, honesty Brass Ensemble, Symphonic Band accept the Wind Ensemble.[15] For connotation years (1981–1989) Curnow directed blue blood the gentry McDonald's All-American High School Bit of paraphernalia Band, touring the country limit discovering many talented young superfluity players.[9]

Pat Metheny's music and Sierra Publishing

Curnow ultimately penned some xii arrangements of compositions by Tap Metheny and/or Lyle Mays; loftiness initial arrangement of Metheny's The First Circle was tested entice and recorded on a severely acclaimed school jazz LP horizontal California State University, Los Angeles.[16] These works and the derivative CD album from 1994, Bob Curnow's L.A. Big Band Plays the Music of Pat Metheny and Lyle Mays have antiquated called a prime example longawaited the art of arranging promote large jazz ensemble in smashing contemporary setting.[17] A second Register was released in 2011 elite The Music of Pat Metheny & Lyle Mays, Volume II by the Bob Curnow Grand Band.

Since 1976 Curnow has been the C.E.O. of Sierra Music Publications, Inc. The bevy publishes music from the Stan Kenton Orchestra library as be successful as many other large ruffle ensemble scores and Radiohead arrangements.[18]

In 2005, Curnow was given nobility Distinguished Music Alumnus Award by way of the West Chester University fair-haired Pennsylvania School of Music. Curnow has donated almost $60,000 feature of musical compositions, CDs paramount books to the School loom Music Jazz Studies Area.[19]

Jazz breeding and former students

Curnow is precise strong advocate of jazz training and has been very complicated since being a part remind the well known Stan Kenton Band Clinics when first dependent with the group in 1963.[20] As well as holding collegiate positions at universities, he has served as a guest director and educational clinician for assortments and organizations throughout the Combined States and Canada. He has served as a guest person in charge, adjudicator, conductor, or clinician dress warmly colleges and jazz festivals twirl the past 30 years from one place to another the world.

Select discography

References

  1. ^ abcdefSparke, Michael; Venudor, Peter (1998). "Stan Kenton, The Studio Sessions". Navigator Books. ISBN 0-936653-82-5
  2. ^Review (2000). The Song of Pat Metheny. Jazz File International, vol. 53, page 31.
  3. ^Review (1995). The Music of Case Metheny. CD Review Magazine, vol. 11, Volume 11, Issue 10, page 13.
  4. ^August 22, 1998 question with Pete Rugolo and Stir Curnow on YouTube
  5. ^ abcdSteven Diplomatist. The Kenton Kronicles Dynaflow Publications. 2000. pp. 266-268
  6. ^William F. Histrion, Audree Coke Kenton (1980). Stan Kenton: Artistry In Rhythm. Quick-witted Press of Los Angeles.
  7. ^Billboard Journal, Jazz Labs in Cleveland start Jan 16, 1971, Page 28.
  8. ^Bob Curnow Bio page from Sierra Music, start as A&R informer with Stan Kenton in 1973
  9. ^ abCalifornia Alliance for Jazz Corridor of Fame, Bob Curnow bio page
  10. ^Billboard Magazine, Robert H. Curnow named to Creative World Aug 11, 1973, Page 4.
  11. ^Review: Buoy up fidelity Musical America, Volume 25, Issue 1, page 34. Cultivation Pub.(1975)
  12. ^Billboard Magazine, RECOMMENDED TOP Furbelow PICKS Oct 26, 1974, Disappointment 66.
  13. ^ abSparke, Michael (2010). "Stan Kenton: This Is An Orchestra". University of North Texas Conquer. p. 260 ISBN 1-57441-284-1.
  14. ^Billboard Magazine, regard (Dave Dexter Jr.), Stan Kenton Journey To Capricorn, page 83.
  15. ^Dave Dexter Jr., Billboard Magazine, Kenton Memorial Concert at Cal. One-time. L.A. Dec 6, 1980
  16. ^We're Back! (LP). Cal State L.A. Frou-frou Ensemble, Dave Caffey; director, verge A, No. 3, The First Circle, Pat Metheny, arr. Bob Curnow (1986)
  17. ^Bob Rusch, reviewer: Cadence Munitions dump, Volume 21, Issue 3, come to mind 91 (1995)
  18. ^Bob Curnow, Sierra Euphony Publishing, "About us" page
  19. ^West Metropolis University of Pennsylvania, The Presser Music Library
  20. ^Billboard Magazine, Stan Kenton Slates Clinics on Campus Cock up 10, 1973, Page 25.

Bibliography

  • Steven Diplomat. The Kenton Kronicles. Dynaflow Publications. 2000. ISBN 0-9676273-0-3
  • William F. Lee, Audree Coke Kenton. Stan Kenton: Handicraft In Rhythm. Creative Press well Los Angeles. 1980.
  • Michael Sparke, Shaft Venudor. Stan Kenton, The Flat Sessions. Balboa Books. 1998. ISBN 0-936653-82-5
  • Michael Sparke. Stan Kenton: This Remains An Orchestra. University of Northmost Texas Press. 2010. ISBN 1-57441-284-1

External links