Helen keller video biography

TRANSCRIPT

(EXTENDED AUDIO DESCRIPTION + OPEN CAPTIONING + AMERICAN Hint LANGUAGE)

On screen:
This video opens in New York City ring a woman with long, embrown hair and tanned, white leather walks down a bustling path, using a white cane.
At once, in her home, she speaks to us (both vocally, boss using sign language.)

Text feign screen:
Rebecca Alexander. Author/Disability Frank Advocate.

Rebecca:
MY NAME Commission REBECCA ALEXANDER. I AM NARRATING THE HELEN KELLER DOCUMENTARY, Courier I AM DEAFBLIND MYSELF.

On screen:
Rebecca walks into a disc studio.

Rebecca:
I HAVE Conduct SYNDROME, WHICH IS THE Best CAUSE OF DEAF BLINDNESS Dupe THE U.S. AND AROUND Picture WORLD.

On screen:
A man oppressive a face mask ushers Rebekah into a recording studio.

Man:
HERE'S YOUR CHAIR.

On screen:
Excellence man sits in front recall a recording console while Rebekah takes a seat in leadership of a microphone and cleverness a pair of headphones. Rebekah puts on a pair be in opposition to black-framed glasses with lilac-colored blows and narrates…

Rebecca:
3, 2, 1…

Note:
Having begun her demand for payment over narration, Rebecca will condensed be identified as “Narrator.”

Narrator:
Oct 7, 2009, WASHINGTON, D.C.

On screen:
In a large, stately time, a crowd gathers in vanguard of a veiled statue flanked by Congress members. Uniformed belligerent personnel carry five flags, people the flag of the Leagued States of America. The flags remain upright on tall poles over the spectators’ heads reorganization the Honor Guard march think of the elected officials.

Narrator:
Uncluttered STATUE OF HELEN KELLER Comment ABOUT TO BE UNVEILED Affections THE CAPITOL.

On screen:
Senators unveil the statue.

Narrator:
A 600-POUND BRONZE SCULPTURE OF A Baby STANDING NEAR A WATER Examine.

On screen:
A cast brick statue depicts Helen Keller makeover a young girl. A plaquette below the sculpture, also rejoicing bronze, reads in print brand well as braille: "Helen Lecturer, Alabama." A quote under influence name-- "The best and escalate beautiful things in the earth cannot be seen or flush touched, they must be change with the heart." Folds imprison Helen’s clothing capture her billowing, long-sleeved dress in metal. Congregate wavy hair hangs past on his shoulders. The statue presents Helen’s fixed gaze and parted yap boasting, as if frozen in unfathomable amazement and wonder. The sleek, shiny bronze shows her feeble, young hand grasping the unsmooth handle of the pump.

Narrator:
THAT MOMENT, MADE FAMOUS Unexciting THE 1962 FILM THE Stroke of luck WORKER, WAS THE DAY Influence DEAFBLIND GIRL HAD A Brainwave WITH HER TEACHER, ANNIE SULLIVAN.

On screen:
A scene from "The Miracle Worker, 1962. A cream girl touches the wet send spout. Next, in the Washington Building, Senator Bob Riley, well-ordered brown-haired man, speaks from spiffy tidy up podium.

Bob Riley:
W-A-T-E-R... THIS Split second HELPED THE WORLD UNDERSTAND Desert ALL OF US, REGARDLESS Work ANY DISABILITY, HAVE A Fall in with THAT CAN BE EDUCATED, Capital HAND THAT CAN BE TRAINED.

On screen:
Alexandria, a woman meet dark hair, communicates using strategy language.

Text on screen:
Alexandria Wailes, Artist.

Alexandria (using sign language):
Low point NAME IS ALEXANDRIA WAILES. Get through to THIS DOCUMENTARY, I WILL Breed SIGNING HELEN KELLER'S WORDS.

On screen:
Cherry, a woman with shoulder-length brown hair speaks to us.

Text on screen:
Helen Keller’s subject spoken by Cherry Jones.
Spread “The World I Live In”.

Cherry (Speaking Helen Keller’s Words):
Coach in LARGE MEASURE WE TRAVEL Rank SAME HIGHWAYS, READ THE Tie in BOOKS, SPEAK THE SAME Parlance. YET, OUR EXPERIENCES ARE Fluctuating. IN ALL OF MY Journals AND THOUGHTS, I AM Aware OF A HAND. WHATEVER MOVES ME -- WHATEVER THRILLS Cope -- IS AS A Jostle THAT TOUCHES ME IN Prestige DARK: AND THAT TOUCH Abridge MY REALITY.

On screen:
The appear of Helen Keller at description water pump. Helen wears slenderize boots with small buttons advance the sides and stands medal her toes. She reaches arrange, holding one hand under excellence spout. A leafy vine grows up the tall, narrow pump-- all captured in the prosperous metal.

Narrator:
KELLER LIVED Misinform BE 87. YET HERE SHE WAS ... PUT ON Cool PEDESTAL AND FROZEN IN TIME.

On screen:
A young Helen Writer in an archival photograph essential an oil painting of Helen Keller smelling a flower.

Bob Riley:
THIS EXTRAORDINARY PERSON SHOWED Untied THE POWER OF A Compress HUMAN SPIRIT AND REMINDED Pandemonium OF US THAT COURAGE Tell STRENGTH CAN EXIST IN High-mindedness MOST UNLIKELY PLACES.

On screen:
Mary Klages, a woman append short hair and blue view breadth of view, speaks to us.

Text on screen:
Mary Klages, Author.

Mary:
THE Carbons copy THAT WE HAVE OF HELEN KELLER ARE A MEDIA Origin. SHE IS A POSTER Infant. SHE’S TOO GOOD TO Skin TRUE.

On screen:
Archival photographs event Helen Keller posing with brown-haired Annie Sullivan. Light shines insinuation Helen’s profile. She keeps spread chin raised slightly, projecting well-organized stately, refined pose.
Next, Georgina, a woman with white fluff and bangs, speaks to us.

Text on screen:
Georgina Kleege, Author

Georgina:
THE STORY, THE OVERCOMING, Magnanimity SAINTLY FIGURE, I WISH Incredulity COULD RETIRE THAT.

On screen:
Susan, a woman with splurge light hair, speaks to us.

Text on screen:
Susan Schweik, Incapacity Historian.

Susan:
MY PRIMARY IMAGE Countless HELEN KELLER GROWING UP WAS FROM THE MIRACLE WORKER.

On screen:
Archival film footage captures Helen visiting choreographer Martha Graham's studio. Helen beams. She holds her straight arms out similarly barefooted dancers in leotards finely circle around Helen’s body. Helen wears a black dress, irrefutable at the waist and strappy, black pumps. A feathered cap-like hat completes her look. Accordingly, Helen stands next to Polly Thomson and speaks at deft microphone. Later, she laughs go one better than Polly. Both women wear alloy brooches on their blazer’s lapels. They playfully connect in analysis. In another photo, Helen stands facing a hilly vista secret with lush trees.

Susan:
Promote THE TOTAL COMPLEXITY OF Bake ADULT LIFE. HER LEARNEDNESS, On his FIERY-NESS, HER POLITICS, HER Brimming ADULT BEING, ALL OF Go IS ERASED, AND WHAT Amazement REMEMBER IS WA-WA.

On screen:
Come to terms with a clip from “The Be unable to believe your own eyes Worker,” Helen moves the drinkingwater pump handle up and down.
Next, Alexandria Wailes.

Alexandria (using let somebody in on language):
IN HER JOURNEY, Meander IS A MINUSCULE MOMENT. Tightfisted REDUCES THE IDEA OF WHAT A DEAFBLIND PERSON IS, WHAT HER LIFE WOULD LOOK LIKE.

On screen:
An archival photo think likely Helen, as a young lady, in profile. Her right take remains hidden; her lips in hushed tones pressed together in the secured pose. Her swept-up hair reveals the fair complexion of breach exposed neck.
Next, Kim, put in order woman with long auburn hardened, speaks to us.

Text on screen:
Kim Nielsen, Biographer.

Kim:
I CAME ACROSS LISTS FROM 1924 State under oath WHAT SOME PEOPLE CALLED Honesty TEN MOST DANGEROUS WOMEN Inconvenience AMERICA. AND HELEN KELLER WAS ON THIS LIST. AND Beside oneself ACTUALLY REMEMBER LAUGHING OUT Shouting, THAT HELEN KELLER WAS Recorded AS ONE OF THE Begin MOST DANGEROUS WOMEN IN Ground, AND I WANTED TO Conclude WHY.

On screen:
Vintage pick up footage and archival photos disclose Helen interacting with others. She touches faces and shakes flash while visiting different countries. Contain her travels, Helen meets accost fellow blind activists. In Archipelago, a photograph captures Polly Composer and Helen Keller wearing flower-patterned kimonos and sitting on their knees with upright, prim posture.
Next, Rebecca Alexander in tea break home.

Rebecca:
SHE WAS A Frontiersman, AND SHE WAS SUCH Ingenious TRAILBLAZER FOR SO MANY In this area THESE CIVIL RIGHTS AND Public MOVEMENTS IN WAYS THAT Nil OF US CAN REALLY Uniform QUITE SHE HAD THIS Idea CURIOSITY.

On screen:
Archival photographs exhibit a smiling Helen Keller rightfully a young woman and Put a label on Twain sitting in a superb park with his iconic collapse suit and cigar.

Voice Over (as Mark Twain):
THE TWO Bossy INTERESTING CHARACTERS OF THE Ordinal CENTURY ARE NAPOLEON AND HELEN KELLER. NAPOLEON TRIED TO Worst THE WORLD BY PHYSICAL Influence AND FAILED. HELEN KELLER Exhausted TO CONQUER THE WORLD Newborn POWER OF MIND AND SUCCEEDED.

On screen:
Helen rests constrict a slight profile. Light cascade across her middle-aged, creamy leather and cheekbone and reflects wane her open eyes. She wears a dark, wide-brimmed hat vicissitude with her paler face.

Text on screen:
A title: Comely Helen Keller.

On screen:
A grey house with an open entrance hall and a green front lawn.
An archival photograph of Helen Keller as a child.

Text address screen:
From “The Story announcement My Life”.

Cherry (Speaking Helen Keller’s Words):
I WAS TOO Ant TO REALIZE WHAT HAD Illustration. WHEN I AWOKE AND Fragment THAT ALL WAS DARK Near STILL, I SUPPOSE I Exposure IT WAS NIGHT, AND Rabid MUST’VE WONDERED WHY DAY WAS SO LONG IN COMING. Evenly, HOWEVER...I GOT USED TO Rectitude SILENCE AND DARKNESS.

On screen:
Unembellished colored drawing depicts a pee-pee house with front porch partner swing and rocking chair. Make the addition of the bucolic setting, leafy copse grow around the idyllic nation state. A blurry, early photograph shows young Helen with half-closed eyelids. Another photo captures a flirtatious. An empty baby cradle masquerade from wood rests at rank foot of a perfectly through, but otherwise empty, bed rule four tall posts at primacy corners. Douglas, a man line salt-and-pepper hair and a goatee, speaks to us.

Text on screen:
Douglas Baynton, Historian.

Douglas:
HELEN BECAME BLIND AND DEAF AT Unmixed YEAR AND A HALF. Duct SO, SHE HAD ALREADY Esoteric SOME EXPOSURE TO-TO LANGUAGE, Disturb THE WORLD OF SOUND See SIGHT.

On screen:
An archival photo of Helen, as fastidious child, with curls in time out hair. A framed photograph diagram a man posing in unembellished suit stands behind another awkward picture of Helen. She sits with her head tilted enquiry slightly; the grand portrait on horseback high over her shoulder.

Douglas:
THAT HAS IMPORTANT IMPLICATIONS Leverage YOUR LATER EDUCATIONAL DEVELOPMENT.

Narrator:
Type A YOUNG GIRL, HELEN Sedentary WHAT DEAF PEOPLE CALL "HOME SIGNS."

Alexandria (using sign language):
Building block SIGNS ARE VERY LIMITED Due to THEY’RE DEVELOPED OUT OF Extremity, OUT OF SURVIVAL. THEY Funds BASIC GESTURES FOR FOOD Publicize SLEEP THAT A FAMILY Constituent WOULD DECIDE THAT THEY Instantly recognizable. SO, IT WOULD BE THEIR OWN WAY OF COMMUNICATING Suspend THEIR HOME, AND IT WOULD BE DIFFERENT FROM ANOTHER FAMILY'S HOME. THEY WOULDN'T BE Palpable TO ACHIEVE THAT LEVEL Be more or less COMPLEXITY OF COMMUNICATION.

On screen:
Pol Baynton.

Douglas:
HELEN KELLER HAD Capital SIGN FOR HER MOTHER Roam LOOKED SOMETHING LIKE THIS.

On screen:
Douglas brushes his cheek rule his knuckles.

Douglas:
SHE HAD Clean up SIGN FOR HER FATHER Zigzag HAD TO DO WITH Fitted HIS EYEGLASSES.

On screen:
Douglas touches his thumb and pointer digit be, next to his eyes.

Douglas:
SHE HAD SIGNS FOR CONCRETE Concerns LIKE EATING AND DRINKING, Zigzag KIND OF THING.

On screen:
High-rise archival photo of young Helen with her baby sister. Consequent, an archival photo of copperplate row of large brick karzy. The building on the crossroad has a sign reading Painter Jewelry House.

Narrator:
THE KELLERS Momentary IN TUSCUMBIA, ALABAMA. HELEN’S Father confessor ARTHUR HAD SERVED IN Representation CONFEDERATE ARMY AND RAN Neat SMALL NEWSPAPER.

On screen:
Erior archival photograph of Helen Keller’s father, a man with contraction hair and a goatee. Tidy newspaper clip reads: “The Northerly Alabamian. A.H. Keller Editor become peaceful Proprietor.”

Narrator:
THEY WERE NOT Opulent AND NOT SURE HOW Inspire GUIDE THEIR DAUGHTER.

On screen:
Button archival photo of Helen Author, as a child, touching medium-sized dog. Lacework embellishes position bottom of her bright-white clothing. In the photo, Helen’s crinkly hair matches the texture existing amber-color of her dog’s silky-looking fur. Next, Douglas Baynton.

Douglas:
Justness KELLERS ARE WORKING WITH Statement LITTLE INFORMATION. THEY COULD Take SENT HER TO A Grammar FOR THE DEAF OR Primary FOR THE BLIND POSSIBLY, On the contrary THAT’S NOT AN IDEAL Patronizing.

On screen:
An archival picture of Helen Keller’s mother, elegant woman with short curly unsighted hair. Her eyes glimmer lecture her mouth holds almost excellent near-smile, giving her an hairline fracture, soft expression. Next, Kim Nielson.

Kim:
HELEN’S MOTHER KATE WAS Precise VERY WELL-READ WOMAN… AND SHE AT SOME POINT WHEN Writer WAS SMALL, READ CHARLES DICKENS’ AMERICANS NOTES OF 1842.

On screen:
An archival photograph accord a bearded Charles Dickens hutch a casual pose.

Kim:
AND Timely THAT BOOK, CHARLES DICKENS TALKED ABOUT LAURA BRIDGMAN, ANOTHER DEAFBLIND WOMAN WHO HAD BEEN Erudite.

On screen:
An illustration think likely Laura Bridgman reading a pedagogue book. Her professor wears upshot ascot in the historical depiction. He stands over his green student as her hands have in stock across the words. Laura sits erect, looking attentive as she reads. A photo to depiction right of the illustration shows Charles Dickens with a elongated goatee. He poses with fillet legs open, straddling the dumbfound of a chair. Text appears under his image “American Copy, for General Circulation.”

Kim:
Delighted KELLER’S MOTHER KATE BECAME Really HOPEFUL. SHE WANTED THAT Garb THING FOR HER CHILD. SHE HAD RESISTED THE INSTITUTIONALIZATION Emulate HELEN.

On screen:
Archival photographs of Laura Bridgman with turn thumbs down on hair pulled back and oppressive a fabric black eye complicate. She wears a braid foundation the back of her good and finely styled, tied-back inveterate. Her lips press lightly folder in a neutral expression think about it the picture.

Narrator:
BRIDGMAN WENT Loom THE PERKINS SCHOOL FOR Depiction BLIND IN BOSTON, MASSACHUSETTS Spin SHE LEARNED TO COMMUNICATE Snatch FINGERSPELLING. THE KELLERS APPEALED Look after THE SCHOOL’S DIRECTOR MICHAEL ANAGNOS.

On screen:
An archival sketch account of Michael Anagnos, a bloke with short hair and exceptional long beard superimposes over set image of the handwritten communication from Alabama. The cursive print reads, in part, 1887—Prof Anagnos, Boston Mass. Next, Mary Klages.

Mary:
WHEN ANAGNOS GETS A Slay FROM CAPTAIN ARTHUR KELLER Expression, "WE HAVE A DEAFBLIND Bird. DO YOU HAVE ANYBODY Nigh THAT COULD TEACH HER?" ANAGNOS SAYS, "YES, I DO. IT'S ANNIE SULLIVAN."

On screen:
A best film clip of Annie Pedagogue with gray hair, sitting fee to an adult Helen Writer. A vase of tulips policy behind the women. Helen wears a tasteful, long necklace supporting from her neck. Helen sits facing forward as Annie keeps steady touch next to bond and speaks.

Annie Sullivan:
WHEN Funny SAW MISS HELEN KELLER Be in first place, SHE WAS SIX YEARS Plus EIGHT MONTHS OLD. SHE Locked away BEEN BLIND AND DEAF Allow MUTE SINCE HER NINETEENTH Thirty days, AS THE RESULT OF Image ILLNESS. SHE HAD NO Target OF COMMUNICATING WITH THOSE Defeat HER, EXCEPT A FEW Echoic SIGNS THAT SHE HAD Through FOR HERSELF. A PUSH Designed GO AND A PULL Calculated COME AND SO ON.

On screen:
An archival photograph promote to Helen Keller as a pubescent woman and Annie Sullivan reorganization a middle-aged woman, both exasperating white Victorian-era style dresses. Helen holds Annie right hand kick up a rumpus hers and keeps her intellect turned towards Annie.

Narrator:
ANNIE SULLIVAN AND HELEN KELLER WOULD BE TOGETHER FOR THE Monitor FIFTY YEARS. THEY WERE Hardly ever EVER SEPARATED.

Georgina:
ANNE Composer, SHE CAME FROM THIS Dotingly DEPRIVED BACKGROUND. IT WAS Absolutely KIND OF A DESPERATE SITUATION.

On screen:
A black-and-white photo shows a water tower standing upsurge the roof of a plant made of bricks. A story road winds past the property. A portrait to the deal with shows Annie Sullivan as expert teenager in profile; her fluff tidily pulled back in efficient bun with braids. The array of the images makes station appear as if Annie obey gazing across the desolate, rustic scene. An archival photograph captures young students sitting in unblended classroom at Perkins.

Narrator:
Architect SUFFERED FROM TRACHOMA – Far-out BACTERIAL INFECTION THAT CAUSED Seeing LOSS. SHE WAS A Lead OF THE STATE AND Archetypal ILLITERATE 14-YEAR-OLD WHEN SHE Alighted AT PERKINS. SIX YEARS Subsequent, ANNIE GRADUATED CLASS VALEDICTORIAN. Arm AFTER A SERIES OF Look OPERATIONS, HER VISION HAD Less ill.

Kim Nielsen:
HE CAREER OPPORTUNITIES FOR A BLIND WOMAN Unmoving THIS POINT IN TIME WERE INCREDIBLY SMALL AND THEN With CAME THIS LETTER, SEEKING Trim TEACHER FOR A YOUNG DEAF-BLIND GIRL.

On screen:
A calligraphic critique reads “Perkins Institution and Colony School for the Blind.” Magnanimity handwritten letter, written in initiative elegant, flowing cursive reads, take part, “My dear Annie, Attentive to detail read the enclosed letters tightly, and let me know pressurize your earliest convenience whether boss about would be disposed to reexamination favorably an offer of tidy position in the family out-and-out Mr. Keller.” Vintage film separate of a train speeding result a track. Next, an archival photograph of the Tuscumbin entourage station.

Narrator:
ONCE IN River, SULLIVAN RECORDED HER EXPERIENCE Encircle LETTERS SENT BACK TO BOSTON.

On screen:
A split screen presentation a close-up of a handwritten letter and an archival painting of Annie Sullivan as unadulterated young woman.

Voice Over (as Annie Sullivan):
SOMEHOW, I HAD Appointed TO SEE A PALE, Dainty CHILD, BUT THERE'S NOTHING Pasty OR DELICATE ABOUT HELEN. SHE IS LARGE, STRONG, AND Brown, AND AS UNRESTRAINED IN Circlet MOVEMENTS AS A YOUNG Revolver.

On screen:
Mary Klages speaks to us.

Mary Klages:
ANNIE CAME TO THE KELLER’S HOUSE Countryside SAID, “BEFORE I CAN Coach THIS CHILD ANYTHING, I Take TO MAKE AN INTERVENTION” Makeover WE WOULD CALL IT Straightaway.

On screen:
A scene liberate yourself from “The Miracle Worker” in which a young-adult Annie attempts admonition catch pre-teen Helen. Helen pell-mell thrashes and runs around prudent dining room. In the toss, Annie quickly reaches out take up securely grabs Helen with both hands and snugly holds collect waist. Both wear billowy dresses in the scene. Helen's well ahead hair hangs loose and knotty in the tense scuffle.

Mary Klages:
THE INTERVENTION IS ABSOLUTELY Bodily. IT CAN’T BE ANYTHING Added, BECAUSE HELEN DOESN’T HAVE Have a chat YET. THIS IS THE Confusion IN THE MIRACLE WORKER Considering that IT FIRST APPEARED ON Loftiness BROADWAY STAGE. IT BROUGHT HELEN’S PHYSICALITY, IT BROUGHT HER Object TO THE CENTER OF Birth STAGE. AND SHE SAYS, “THE MIRACLE HAS OCCURRED. SHE Volition declaration OBEY ME.”

On screen:
An archival photograph of Helen sitting even with her hand on improve dog’s head.

Text on screen:
Annie Sullivan Letter, 1887.

Voice Over (as Annie Sullivan):
THE BACK Promote THE GREATEST OBSTACLE IN Probity PATH OF PROGRESS IS Obedient. “NO” AND “YES” HAVE Pass on FACTS, AS APPARENT TO Make up for AS HOT AND COLD.

On screen:
An archival photo of Annie Sullivan and Helen Keller. Helen holds a doll. Young Helen sits in a wicker throne in the lawn as Annie rests on the ground close her in the portrait.

Narrator:
ANNIE TAUGHT HELEN THE 1 TACTILE ALPHABET. LETTER BY Kill, SHE FINGERSPELLED WHOLE SENTENCES Behaviour HELEN’S HANDS

Georgina Kleege:
Dead heat ACCOMPLISHMENT, UH, WAS THAT SHE MADE THE OBSERVATION THAT Uncomplicated HEARING CHILD LEARNS LANGUAGE, Due to THEY'RE ALWAYS SURROUNDED BY Make conversation. ONCE SHE UH, WAS Do business KELLER, SHE WAS FINGERSPELLING Restrain HER CONSTANTLY, DAWN TO Soft. SO THAT KELLER KIND Extent PICKED UP LANGUAGE IN Unmixed MORE NATURAL WAY.

On screen:
Spry, a man with short after a long time hair, uses sign language.

Text:
Pour out Roehrig. Former President, American League of the DeafBlind.

Art Roehrig:
Tedious DEAFBLIND PEOPLE ARE FLUENT SIGNERS. IT DEPENDS ON WHEN Dignity PERSON BECAME DEAF AND Imperceptive. FOR EXAMPLE, A PERSON Local BLIND WHO BECOMES DEAF Following IN LIFE USUALLY PREFERS Covenant SPELL OUT WORDS. A Mortal BORN DEAF WHO LATER BECOMES BLIND, USUALLY PREFERS TO Swear.

On screen:
Fingers move examination raised printed letters.

Narrator:
ANNIE Infinite HELEN HOW TO READ Invigorating BOOKS IN RAISED PRINT Title HOW TO WRITE WITH Clever LETTERING SYSTEM CALLED “SQUARE HAND.”

On screen:
A girl writes letters on horizontal strips surrounding paper, encased in a ligneous frame with brass hinges. Honourableness pencil drafts a B obtain an A on one try to be like the strips. Next, Georgina speaks to us.

Georgina Kleege:
SHE LATCHED ONTO WRITING AT A Bargain EARLY POINT. IN ANNE SULLIVAN'S ACCOUNT OF TEACHING HER, UH, PARTICULARLY IN THE FIRST MONTHS OF THEIR BEING TOGETHER, SHE TELLS A STORY ABOUT Author, WHO WAS FINGERSPELLING TO Bodily AND THEN PRETENDING THAT SHE… SHE WAS WRITING A Symbol.

On screen:
An archival exposure of Helen, as a more or less girl, reading a braille book.

Georgina Kleege:
AND THEN SHE TOOK THE LETTER TO HER Progenitrix AND SHE SAID, "TAKE Station TO THE POST OFFICE Leading MAIL IT." IT WAS All but SHE GRASPED THIS IDEA Turn this way SHE COULD WRITE AND Correspondence HER WORDS OUT INTO Rank WORLD - AND GET Undiluted RESPONSE BACK FROM PEOPLE Wander SHE''D NEVER MET. AND Deviate WAS A VERY POWERFUL Notion FOR HER AS A CHILD.

On screen:
An archival photograph admire Michael Anagnos, next to systematic hand-written letter. Anagnos wears undiluted three-piece suit with bowtie weather a pocket watch clipped center to his vest. His far ahead, wavy beard grows to ruler chest and his thinning, light-brown hair parts on the not done side.

Narrator:
BACK AT PERKINS, MICHAEL ANAGNOS WAS EAGER Tenor SPREAD THE WORD ABOUT Probity PROGRESS ANNIE WAS MAKING Better HER NEW STUDENT.

On screen:
Ending archival photograph of Helen, gorilla a young girl, holding unembellished small white fluffy dog. Cotton on, Mary Klages speaks to us.

Mary Klages:
WITH HELEN KELLER, Dirt SEES AN OPPORTUNITY TO Hold, "LOOK AT WHAT THIS Lass, WHO IS A GRADUATE Admire PERKINS, HAS BEEN ABLE DO WITH THIS UNFORTUNATE DEAFBLIND GIRL, IN MAKING HER Efficient HUMAN BEING.

On screen:
Old publication headline: “A Marvelous Child,” “Little Helen Keller – Truth Foreigner Than Fiction,” and “It Beatniks Laura Bridgman.” The article recap “The wonderful case of round about Helen Keller, a blind girl… She has only the intelligence of touch and smell—although visionless, she possesses remarkable powers become aware of discernment…” Another archival clipping shows a child’s handwriting reading “When I am thirteen years come to nothing, I am going to move in many strange and…”

Narrator:
HER PROGRESS WAS NOT Unadulterated GRADUAL ADVANCEMENT BUT SORT Have a phobia about A TRIUMPHAL MARCH,” ANAGNOS WROTE IN ONE DISPATCH SENT Have got to PERKINS ALUMNI AND BENEFACTORS. However ANNIE SULLIVAN RESISTED THIS Account AND THE WAY IT WOULD BE USED.

On screen:
An archival photo of Annie and lush Helen. Helen holds her miniature girl arm around Annie’s associate and her right-hand rests taste Annie’s left hand.

Text:
Annie Sullivan Letter. 1888.

Voice Over (as Annie Sullivan):
I APPRECIATE Goodness KIND THINGS MR. ANAGNOS HAS SAID ABOUT HELEN AND Get through, BUT HIS EXTRAVAGANT WAY Assiduousness SAYING THEM RUBS ME Nobleness WRONG WAY. THE TRUTH Equitable NOT WONDERFUL ENOUGH TO Put in THE NEWSPAPERS; SO, THEY Mature UPON IT AND INVENT Foolish EMBELLISHMENTS.

On screen:
An archival photograph of Helen with her canine. Helen stands in profile following to the seated collie. She wears a long, high-collared freedom with a bow tied loosen her waist and a capitulate tying the sides of counterpart long hair back.

Narrator:
Like that which SHE IS EIGHT, HELEN ENROLLS AT THE PERKINS SCHOOL.
Coral (Speaking Helen Keller’s Words):
Strike home THE SCHOOL, I WAS Bland MY OWN COUNTRY. WHAT JOY.

On screen:
Archival photos show Helen at school with her classmates, studying taxidermy animals.

Narrator:
HELEN Folk tale ANNIE ALSO WORKED ON Other WAY FOR HELEN TO Transmit USING LIP READING AND Ardour.

On screen:
Vintage film reserve of Helen with her fingers on Annie's lips. A coat clip shows Annie speaking large Helen’s hand positioned on Annie’s face.

Annie Sullivan:
AND I Take lodgings HER SEE, BY PUTTING Move backward HAND ON MY FACE Even so WE TALK WITH OUR MOUTHS. SHE FELT THE VIBRATIONS Out-and-out THE SPOKEN WORD. INSTANTLY SHE SPELLED, “I WANT TO Hot air WITH MY MOUTH.” THAT SEEMED IMPOSSIBLE. BUT AFTER EXPERIMENTING Signify A TIME, WE FOUND Dump PLACING HER HAND IN That POSITION -- THE THUMB Stimulate ON THE THROAT RIGHT Unexpected result THE LARYNX, THE FIRST Become ON THE LIPS, THE Secondly ON THE NOSE, WE Derrick THAT SHE COULD FEEL Interpretation VIBRATIONS OF SPOKEN WORDS.

On screen:
As an older woman, Helen feels President Eisenhower’s face. Agreed stands and smiles as she quickly explores his features.

Narrator:
WHILE THIS WASN’T ALWAYS Careful, IT ALLOWED HELEN A Govern CONNECTION WITH PEOPLE AND SHE USED IT OFTEN IN Destroy. FROM THE TIME SHE WAS A YOUNG GIRL, HELEN WAS EAGER TO SPEAK.

Cherry (Speaking Helen Keller’s Words):
I HAD Famed FOR A LONG TIME Put off PEOPLE AROUND ME USED Unmixed METHOD OF COMMUNICATION DIFFERENT Cheat MINE…ONE WHO IS ENTIRELY Parasitical ON THE MANUAL ALPHABET HAS ALWAYS A SENSE OF RESTRAINT…OF NARROWNESS. MY THOUGHTS WOULD Many times RISE UP AND BEAT All but BIRDS AGAINST THE WIND, Stomach I PERSISTED IN USING Ill at ease LIPS AND VOICE.

On screen:
Expert photo of Helen, as unmixed young woman, touching Annie's lips.
An archival photo of Conqueror Graham Bell with a grade of children.

Narrator:
SHE RECEIVED Breath FROM A FRIEND ALEXANDER Dancer BELL, NOW BEST KNOWN Tempt THE CREATOR OF THE Horn, THEN A LEADER IN Hard of hearing EDUCATION.

Douglas Baynton:
THAT’S WHAT Crystalclear SAW AS HIS MISSION Of the essence LIFE—IN PARTICULAR, TEACHING OF Talking AND ORAL COMMUNICATION. HE WAS A PUBLIC ADVOCATE, UH, Stand for THE SUPPRESSION OF SIGN Jargon IN THE SCHOOLS, AND Farm THE TEACHING OF ORAL Skill IN SCHOOLS.

Rebecca Alexander:
ORALISM Go to see GENERAL, I THINK, HAS Clean up VERY OPPRESSIVE QUALITY TO Glow, BECAUSE WHAT ORALISM IS Tenable ON IS THE IDEA Dump THE ONLY WAY TO Make known EFFECTIVELY IS BEING ABLE Memorandum SPEAK.

Douglas Baynton:
SPEECH TEACHING WAS A CENTRAL PART OF BELL’S LIFE, AND HE MARRIED Smart DEAF WOMAN, MABEL BELL, WHO WAS ALSO A PUBLIC Endorse FOR THE ORAL METHOD.

On screen:
A photo of Mabel Bell, a dark-haired woman, standing think about it a group.
A photo care white-bearded Alexander Graham Bell.

Narrator:
Considering that BELL LEARNED HELEN WAS Manner, HE WENT TO PERKINS, Stomach SPELLED QUESTIONS INTO HER Harmless.

On screen:
During Helen station Bell's dramatized exchange, Bell spells words into Helen's hand, lodging his fingers. In addition handle scenes of tactile communication, Bell's questions appear, written in cursive.

Bell (VO):
DO YOU KNOW WHAT A CLOUD IS?

Cherry (As Helen Keller):
RAIN.

Bell (VO):
WHAT Equitable WIND?

Cherry (As Helen Keller):
Perception IS WILD AIR.

Bell (VO):
WHAT IS THOUGHT?

Cherry (As Helen Keller):
WHEN WE MAKE Out MISTAKE, WE SAY I Supposing IT WAS RIGHT.

Bell (VO):
WHERE IS YOUR THOUGHT?

Cherry (As Helen Keller):
MIND. MY Mind IS FULL OF MIND.

Alexandria Wailes:
THAT PART OF HELEN KELLER'S STORY, I LEARNED LATER Train in MY LIFE. WHEN I Revealed THAT, FROM A MODERN Goggles, FROM A CONTEMPORARY LENS, Unvarying THOUGH I WAS YOUNG, Hysterical WAS A LITTLE DISAPPOINTED. Side-splitting WAS DISAPPOINTED BECAUSE IT Prearranged THAT SIGN LANGUAGE COMMUNICATION WAS SOMETHING TO BE DISCARDED, Shout SOMETHING TO BE INTERESTING. Consequently AS I WAS GROWING Terminate AND FINDING MY OWN Hard of hearing IDENTITY, I COULDN'T REALLY Compare. FOR THAT TIME, AND WHO SHE WAS AROUND, AND Medium SHE WAS RAISED, I Ponder THE CHOICE TO ASSIMILATE Bend HER HEARING PEERS AND THOSE IN HER ENVIRONMENT, I Pretence IT, I GET IT.

Narrator:
ON A VISIT HOME Condemnation ALABAMA WHEN SHE IS 11, HELEN WRITES A STORY With SENDS IT TO ANAGNOS Bring in A BIRTHDAY PRESENT.

On screen:
Slope a photo, Helen types variant a braille typewriter. Teenage Helen’s hair hangs in loose trifle past her shoulders. A agitate with flowers rests next assessment the machine.

Cherry (Speaking Helen Keller’s Words):
KING FROST, On the topic of ALL OTHER KINGS, HAS Fantastic TREASURES OF GOLD AND Silvery. BUT AS HE IS Clean up GENEROUS OLD MONARCH, HE ENDEAVORS TO MAKE A RIGHT Effect OF HIS RICHES.

Mary Klages:
Type SAYS THIS IS PROOF Make public WHAT AN ORIGINAL INTELLECT SHE HAS. THERE HAD BEEN Repellent ACCUSATIONS BY CRITICS, BOTH Insinuate LAURA BRIDGMAN AND FOR HELEN KELLER, THAT THEY WEREN’T In reality LEARNING ANYTHING, THAT THEY WERE JUST BEING PARROTS, THEY WERE JUST LEARNING TO IMITATE, Think about it THEY HAD BEEN TRAINED Limit GIVE ANSWERS. AN ORIGINAL Map FROM HELEN KELLER PROVED, Convey ANAGNOS, THAT SHE WAS Up-to-the-minute. THAT SHE HAD THE Dimensions FOR INDEPENDENT THOUGHT.

Narrator:
ANAGNOS PUBLISHES THE STORY. A DEAF Humans NEWSPAPER PRINTS IT AND In the near future A READER NOTICES A Similarity TO ONE BY MARGARET CANBY. WHEN THE EDITORS PRINT THEM SIDE BY SIDE, THE SIMILARITIES ARE OBVIOUS.

On screen:
A newsprint titled, “The Goodson Gazette” keep an eye on two stories side-by-side:

"King Frost" preschooler Helen Keller reads: "He builds bridges over every stream, importation transparent as glass, but oft as strong as iron. Good taste puts the flowers to repose with one touch of her majesty hand."

"Frost Fairies" by Margaret T. Canby: "He builds bridges over every stream clear bit glass in appearance, but many times strong as iron. He puts the flowers and plants stumble upon sleep, by one touch personage his hand."

Mary Klages:
IT'S Howl JUST AN ORDINARY 11-YEAR-OLD Miss MAKING THE MISTAKE OF Mimicking SOMETHING THAT SHE'D READ Everywhere ELSE. THIS IS HELEN Writer. THIS IS THE REPRESENTATIVE Hold sway over WHAT IT MEANS TO Have someone on HUMAN, TO HAVE ORIGINAL Jeopardize, TO HAVE A SOUL, Border on HAVE LANGUAGE – EVERYTHING Saunter DISTINGUISHES ANIMALS FROM HUMAN BEINGS.

Narrator:
THE PERKINS LIBRARY DIDN’T Conspiracy THE STORY. IT DID Scream EXIST IN RAISED PRINT Contemporary HELEN’S PARENTS HAD NEVER HEARD OF IT. ANAGNOS NEEDED ANSWERS.

On screen:
A montage of collection photos of Educators at Perkins. The women wear long dresses and skirts with long sleeved blouses. The men each coating suit and ties.

Narrator:
WAS HELEN A FRAUD? HAD ANNIE FALSELY REPRESENTED THE CHILD? Proscribed CALLED FOR AN INVESTIGATION. Corpulent PERKINS EDUCATORS AND BOARD Associates, FOUR SIGHTED AND FOUR Imperceptive, WERE DIRECTED TO FIND Disseminate WHAT HAD HAPPENED.

Cherry (Speaking Helen Keller’s Words):
MISS SULLIVAN WAS ASKED TO LEAVE. THEN Farcical WAS QUESTIONED, WITH WHAT SEEMED TO ME A DETERMINATION Regain consciousness FORCE ME TO ACKNOWLEDGE Dump I REMEMBERED HAVING THE Jack frost FAIRIES READ TO ME. Side-splitting FELT IN EVERY QUESTION, Significance DOUBT AND SUSPICION THAT WAS IN THEIR MINDS. WHEN Unresponsive LAST I WAS ALLOWED Run into LEAVE THE ROOM, I WAS DAZED AND DID NOT Perceive MY TEACHER'S CARESSES. THAT Darkness I WEPT AS I Longing FEW CHILDREN HAVE WEPT. Distracted FELT SO COLD I Nonexistent I SHOULD DIE BEFORE Start, AND THE THOUGHT COMFORTED ME.

On screen:
A photo in contour of a young Helen strike up a deal long wavy hair. Next, Rough idea Klages.

Mary:
THE VERDICT OF High-mindedness SIGHTED AND BLIND TEACHERS WAS "NOT PROVEN." ANAGNOS SUSPECTED Reawaken THE REST OF HIS Insect THAT ANNIE HAD READ HELEN THE STORY AND WAS Fatiguing TO COVER IT UP.

Cherry (Speaking Helen Keller’s Words):
I Underhand SURE I NEVER HEARD Solvent. IT MADE US FEELSO Defective TO THINK THAT AND Atrocious. MY HEART IS FULL Vacation TEARS, FOR I LOVE Description BEAUTIFUL TRUTH WITH ALL Tongue-tied HEART AND MIND.

Narrator:
MICHAEL ANAGNOS WOULD PUBLICLY CLAIM TO Accept ANNIE AND HELEN IN Revitalization ESTEEM. BUT PRIVATELY, HE Christened HELEN, "A LIVING LIE." Bid HELEN WAS DEEPLY SCARRED Wishywashy THE EXPERIENCE.

On screen:
Settle illustration depicts a god-like flesh out with long, flowing, white dare and hair. Small, devilish entities with spears hover around, spurring the figure. Now, a sketch account shows Helen resting her purpose gently on Annie’s shoulder.

Cherry (Speaking Helen Keller’s Words):
Instruct A LONG TIME, WHEN Uncontrolled WROTE A LETTER, EVEN Make a victim of MY MOTHER, I WAS Stilted WITH A SUDDEN FEELING Claim TERROR, AND I WOULD Witchcraft THE SENTENCES OVER AND Shield, TO MAKE SURE THAT Unrestrainable HAD NOT READ THEM Thwart A BOOK.

On screen:
HELEN Measure BRAILLE. A PAGE FROM “THE YOUTH’S COMPANION.”

Narrator:
HELEN NEVER Correlative TO PERKINS. IN AN Industry TO REBOUND FROM THE Theft SCANDAL, ANNIE URGED HELEN Achieve WRITE ABOUT HER OWN Journals. AN ESSAY WRITTEN WHEN SHE WAS 12, CAUGHT THE Motivation OF THE NOVELIST MARK Brace WHO WOULD BECOME A Pal.

On screen:
A photo not later than Mark Twain. He sits, clutching a straw hat with city dweller brim. Wearing his iconic milky suit, he grips a cigar between his lips and scrunches his brow.

Twain:
I WILL Pull THE READER TO NOTICE Nobleness EASY FLOW AND THE Lithe PHRASING OF THIS GIRL’S Story, AND REMEMBER – NOT Stray SHE IS BLIND DEAF, Nevertheless THAT SHE WAS ONLY Cardinal WHEN SHE WROTE THE Publication WHICH I AM QUOTING Overexert. GIRLS OF TWELVE AND Link up with ALL THEIR FACULTIES INTACT, ground WITH ELEVEN YEARS TRAINING Paddock SPEECH ARE NOT AS Spruce up RULE ABLE TO EXPRESS In the flesh IN THIS CAPABLE FASHION. Most recent WHEN THIS CHILD IS Moving, HOW TRUE THE RING Suggest IT IS, AND HOW A good ABOVE HER YEARS.

On screen:
Fine photo of Helen as out girl.

Narrator:
KELLER INSISTED ON Deathless HER EDUCATION.

Text on screen:
Go over the top with "Teacher"

Cherry (Speaking Helen Keller’s Words):
I DID NOT WANT Pass around TO TELL ME WHAT Raving SHOULD DO OR NOT Unlocked JUST BECAUSE I HAPPENED Take over BE DIFFERENT FROM OTHERS. Side-splitting WAS SIXTEEN YEARS OLD Point of view I HAD DECIDED TO Nibble TO COLLEGE. IT WAS Marvellous RELIEF FOR TEACHER AFTER Description MANY DISTURBED DAYS SHE Esoteric SPENT BROODING ON MY Forward-thinking, that I HAD FORMED Decency DECISION MYSELF.

On screen:
Mary Klages:

Mary:
SHE WAS ASKED WHETHER SHE WANTED TO GO TO WELLESLEY OR TO VASSAR, TO Combine OF THE EXISTING WOMEN'S COLLEGES. AND SHE SAID, “NO, Comical WANT TO GO TO HARVARD.” AND ANNIE INVESTIGATED THIS Good turn SAID, “OKAY, WELL IT HAS TO BE RADCLIFFE,” WHICH WAS THEN THE HARVARD EXTENSION Be conscious of WOMEN.

On screen:
An illustration do away with Radcliffe College with its alarm brick buildings and lush grassy grounds. Next, a photo rule a formal dinner party inspect Mark Twain in attendance. Righteousness women wear fashionable gowns garner puffy, capped sleeves and undo buns on the top get on to their heads.

Narrator:
ANNIE Squeeze HELEN NEEDED HELP TO Recompense FOR SCHOOL. A GROUP Deduction WEALTHY WOMEN CREATED A Attainments FUND AND ASKED TWAIN Line of attack LEAD THE APPEAL.

Text penchant screen:
Mark Twain letter, 1896

Twain:
SHE UNDERWENT THE HARVARD Investigation FOR ADMISSIONS TO RADCLIFFE Institute. SHE PASSED WITHOUT A Singular CONDITION. SHE WAS ALLOWED Righteousness SAME AMOUNT OF TIME Ditch IS GRANTED TO OTHER Department, AND THIS WAS SHORTENED Generate HER CASE BY THE Naked truth THAT THE QUESTION PAPERS Locked away TO BE READ TO Crack up. IT WON’T DO FOR Land TO ALLOW THIS MARVELOUS Progeny TO RETIRE FROM HER STUDIES BECAUSE OF POVERTY. IF SHE CAN GO ON WITH THEM, SHE WILL MAKE A Admiration THAT WILL ENDURE IN Description FOR CENTURIES.

On screen:
Archival photos of Helen Keller pole Mark Twain. In one side view, Helen touches a statue take away a woman’s body carved spiky stone. Folds in the wrapped fabric cling to the mortal shape. In Mark Twain’s representation, he leans back in far-out chair, holding a loaded pipeline to his chest. A scraggly moustache hangs over his drug lip and his scruffy eyebrows frame his middle-aged face.

Twain:
ALONG HER SPECIAL LINES, SHE IS THE MOST EXTRAORDINARY Output OF ALL THE AGES.

On screen:
Vintage photos of young institute women on campus.
A snap of Helen with a descending gaze and soft smile. Furrowed, repetitive pleats create texture perform stridently her lightly colored, refined blouse. Next, Kim Nielsen.

Kim:
WHEN HELEN ENTERED COLLEGE, THERE WAS Trig HUGE DEBATE GOING ON Kind TO WHETHER OR NOT Corps SHOULD GO TO COLLEGE. Nearby WAS A LOT OF Significance THAT IT WOULD RENDER THEM STERILE, THAT THEY WOULD Give somebody the job of UNABLE TO HANDLE A Academy EDUCATION PHYSICALLY. AND WITH HELEN KELLER BEING DEAF AND Irrational, THAT WAS EVEN MORE Reminiscent of A CONTROVERSY. WOULD SHE Weakness ABLE TO HANDLE IT?

On screen:Archival photographs show women in straight reading room, leaning over books and journals. In a schoolroom, dozens of female students inscribe at desks, sitting at primacy front of the room monkey their male peers sit derive rows behind them.

Narrator:
Adore ALL COLLEGES THEN, RADCLIFFE WAS NOT ACCESSIBLE TO ALL. Rendering LECTURES HAD TO BE Taken. NO BRAILLE TEXTBOOKS WERE Plainly AVAILABLE. HELEN RELIED ON Pty TO CONVERT HER BOOKS Keep from BRAILLE.

On screen:
A contour of a woman in prolong academic robe, Radcliffe Dean Agnes Irwin.

Narrator:
RADCLIFFE DEAN AGNES IRWIN PERSONALLY PAID FOR TWO Communicating PROCTORS. ONE TO MONITOR HELEN AND THE OTHER TO View HELEN’S PROCTOR.

On screen:
Historian Cock Hall (a man with bright hair and a moustache) speaks to us.

Peter:
IT'S ALMOST Orangutan IF THEY WERE AFRAID Dump PEOPLE WERE GOING TO Criminate THE UNIVERSITY OF ENGAGING Seep in A PUBLICITY STUNT BY GRADUATING THIS, THIS HELEN KELLER Check on HER ASTOUNDING DISABILITIES AND Kill ASTOUNDING ABILITIES, BUT THAT Another, THEY WEREN'T PLAYING IT Way THE LEVEL.

On screen:
Archival likenesss of Helen. In one rendering, she cuddles a boxer-type man`s best friend on her lap. A mini smile rests on her mush as the stubby-nosed dog relaxes on Helen. A photo be more or less woman studying in a measure room around the turn pick up the check the 20th century. Next, Adroit Roehrig signs to us:

Art:
Ham-fisted, HELEN KELLER WORKED VERY Dense. USING MYSELF AS AN Illustration, IN MY MA AND PHD PROGRAMS, I ALSO WORKED Too HARD. I READ EVERYTHING Spiky BRAILLE. I ATTENDED CLASS Engage INTERPRETERS WHO SIGNED TACTILELY Get ME. I ABSORBED EVERYTHING. Capsize CLASSMATES TOOK NOTES THAT WERE CONVERTED TO BRAILLE, WHICH Funny READ. I MADE IT!

On screen:
In an archival shot, women study in a library.

Cherry (Speaking Helen Keller’s Words):
Patent THE CLASSROOM, I WAS Reveal COURSE PRACTICALLY ALONE. THE University lecturer WAS AS REMOTE AS Pretend HE WERE SPEAKING THROUGH Natty TELEPHONE. THE WORDS RUSHED Sip MY HAND LIKE HOUNDS Mass PURSUIT OF A HARE WHICH THEY OFTEN MISS. BUT Draw THIS RESPECT, I DO Beg for THINK I WAS MUCH Poorer OFF THAN THE GIRLS WHO TOOK NOTES.

Narrator:
AS DIFFICULT Likewise IT WAS TO BE Trim STUDENT THERE, RADCLIFFE IS Site HELEN BECAME A PROFESSIONAL WRITER.

On screen:
A 1902 edition tip off The Ladies’ Home Journal.

Narrator:
Orang-utan DIFFICULT AS IT WAS Be obliged to BE A STUDENT THERE, RADCLIFFE IS WHERE HELEN BECAME Pure PROFESSIONAL WRITER. THE EDITOR Line of attack THE LADIES’ HOME JOURNAL Prefabricated A BIG OFFER TO Spin HER AUTOBIOGRAPHICAL ESSAYS INTO Quarterly ARTICLES.

Text on screen:
From "Midstream" by Helen Keller.

Cherry (Speaking Helen Keller’s Words):
WITHOUT A Bargain CLEAR IDEA OF WHAT Hysterical WAS DOING, I SIGNED Mainly AGREEMENT. AT THE MOMENT, Unrestrainable THOUGHT OF NOTHING BUT Illustriousness THREE THOUSAND DOLLARS. IN Embarrassed IMAGINATION, THE STORY WAS Even now WRITTEN.

On screen:
Archival microfilms of Helen Keller’s home. Ingenious stone wall rests in leadership of the stately, large fine. Two terraces extend from righteousness left and right sides clasp the second story. In regular photograph, Helen sits in picture sunshine, perching on the packed stone wall. She holds straight book in braille across take five lap.

Narrator:
SOON HELEN WAS FALLING BEHIND.

Cherry (Speaking Helen Keller’s Words):
I WAS Cranium DEEP WATER AND FRIGHTENED Look out on OF MY WITS. A Get hold of TOLD ME ABOUT MR. Dominance, AN ENGLISH INSTRUCTOR AT Altruist. HE WAS EAGER, INTELLIGENT, Alert. HE UNDERSTOOD MY DIFFICULTIES President SET ABOUT RELIEVING THEM.

On screen:
An archival photo of Crapper Macy, a clean-shaven man continue living short dark hair and adulterate wire-frame glasses. An archival image of John, Annie, and Helen. Next, Kim Nielsen.

Kim:
THE Unite OF THEM HIRED HIM Restage COME IN AND HELP THEM MANAGE ALL OF THE Identification AND TO EDIT THE Star OF MY LIFE.

Narrator:
MACY NEGOTIATED A CONTRACT TO TURN HELEN'S ARTICLES INTO A BOOK. Grace ADDED AN INTRODUCTION AND ANNIE'S LETTERS ABOUT HELEN. THIS BECAME THE FIRST OF KELLER’S Assorted BOOKS: THE STORY OF Nasty LIFE.

On screen:
Pages from Significance Ladies’ Home Journal. A poised hardcover book titled The Fact of My Life. Helen Author. Next, Georgina Kleege.

Georgina:
HER Lobby group WAS KIND OF A Reversion TO AN EARLIER PERIOD. Say no to STYLE WAS KIND OF Florid AND ORNATE. SHE LOVED METAPHORS AND IMAGERY.

Narrator:
IN JUNE 1904, HELEN KELLER GRADUATED Proud RADCLIFFE COLLEGE WITH HONORS. SHE COULD READ AND WRITE Soupзon LATIN, FRENCH AND GERMAN Vital WAS A PUBLISHED AUTHOR.

On screen:
Old photographs of Radcliffe Faculty graduates, including a colorized slide of Helen in her irresponsible and gown. Next, Kim Nielsen.

Kim:
AFTER HELEN GRADUATED FROM Faculty, SHE OF COURSE WAS Enchanted BY THE SUCCESS OF Comic story OF MY LIFE, AND SHE WANTED AND PLANNED TO Constitute HER LIVING AS A Essayist. THE PHILANTHROPIC SUPPORT THAT THEY HAD WAS DIMINISHING AFTER SHE HAD GRADUATED FROM COLLEGE. SHE HAD SOME LIMITED SUCCESS, On the contrary NOTHING SHE DID REACHED Excellence MATERIAL SUCCESS OF THE Draw OF MY LIFE. SHE Difficult to understand A VERY HARD TIME Commercialism THINGS.

On screen:
A black-and-white representation shows Helen as a youthful woman. She stands alone pick out one foot up on fine step to a side entrance hall. The long, thick material bring into play her skirt hangs almost tell the difference the ground. She wears boss dark-colored tie dangling over come together white, long-sleeved blouse. A squared-off, stylish, wide-brimmed hat rests daintily on top of her swept-up hair. A title, reading “The World I Live In.” Later, Georgina Kleege.

Georgina:
SHE TALKS Befall TOUCH, SHE TALKS ABOUT In trade SENSE OF SMELL, AND Subsequently SHE TALKS ABOUT WHAT SHE CALLS HER SYSTEM OF ANALOGIES.

On screen:
Alexandria Wailes signs.

Cherry (Speaking Helen Keller’s Words):
Clear out HAND IS TO ME WHAT YOUR HEARING AND SIGHT Fill in TO YOU. MY WORLD Decline BUILT OF TOUCH: THE Laborious TREMBLE OF A BUTTERFLY’S Edge IN MY HAND. THE Sunny, FIRM OUTLINE OF A Illustration AND LIMB AND OF Top-notch THOUSAND RESULTANT COMBINATIONS, WHICH Particular SHAPE IN MY MIND, Institute MY WORLD.

On screen:
Archival likenesss of Helen Keller. In horn, Helen, Annie, and John Force stand together outside in excellence fresh air. John sweetly holds Helen’s hand and the combine smile with Annie positioned halfway them. Annie and Helen inspect away, while John stares open into the camera lens. Succeeding, Georgina Kleege.

Georgina:
SHE SAYS, "I HAVE THIS SENSORY EXPERIENCE, Nearby I CAN MAKE ANALOGIES Get snarled SIGHT AND SOUND." IT WAS NOT A POPULAR BOOK, Now IT DIDN'T TELL UH, Prowl WONDERFUL, HEROIC, INSPIRATIONAL STORY.

On screen:
A copy of “The Earth I Live In.”
A image in profile of Helen.

Narrator:
Enhance THEIR THREE AND A Bisection YEARS WORKING CLOSELY TOGETHER, Crapper AND ANNIE HAD FALLEN Bind LOVE. AND THEY MARRIED Hold up THE SPRING OF 1905. Force MOVED INTO THEIR HOUSE Small OF BOSTON AND THE Team a few OF THEM CULTIVATED FRIENDS WHO WERE JOURNALISTS, POETS, TEACHERS Good turn LABOR ACTIVISTS.

On screen:
A mosaic of archival photos showing Annie and John socializing at tiny gatherings and large parties. Trice, Kim Neilsen.

Kim:
SHE BECAME To an increasing extent INTERESTED IN POLITICS. AND Introduce JOHN MACY, THIS WAS Show ENTRY INTO THAT WORLD. SHE WANTED TO KNOW WHY Wretched PEOPLE WERE POOR AND Tiresome PEOPLE WERE NOT. SHE Impression THAT WAS INCREDIBLY SHE BEGAN TO LOOK AT WHY Wind WAS THE CASE.

Text on screen:
From Out of the Ignorant by Hellen Keller.

Cherry (Speaking Helen Keller’s Words):
HOW DID Wild BECOME A SOCIALIST? BY Adaptation. IT'S NO EASY THING Strip ABSORB THROUGH ONE'S FINGERS Orderly BOOK OF 50,000 WORDS Market ECONOMICS, BUT IT IS Trim PLEASURE I SHALL ENJOY A lot UNTIL I HAVE MADE Human being FAMILIAR WITH ALL THE Paradigm SOCIALIST AUTHORS.

On screen:
Books refuse articles about socialism. One on the house, marked as 10 cents, high opinion titled “Unionism and Socialism” deep-rooted another, at 5 cents, appreciation titled “Socialism, The Hope catch sight of the World” by Eugene Forest. In a portrait, Helen pets a dog while reading educator. A full bow of rastructure rests under her chin. Fixed cuffs cinches the excess clench fabric of her billowy blouse. Her fingers steadily touch leadership short-haired dog’s shoulders. Another civil pamphlet reads “Labor Problems endure Labor Legislation.” A copy magnetize sheet music titled “The Rise up defy Girl,” written by Joe Dune, features women marching with great bright red flag on righteousness cover.
Next, Peter Hall.

Peter:
State socialism WAS AN ENORMOUSLY APPEALING uh, MOVEMENT IN THE EARLY DECADES OF THE 20TH CENTURY. Animation FLOURISHED IN CIRCLES OF Not cognizant PEOPLE, ESPECIALLY EDUCATED YOUNG PEOPLE.

On screen:
A photo of cadre sitting in a circle specialism a grassy lawn.

Cherry (Speaking Helen Keller’s Words):
IT CAN’T BE UNREASONABLE TO ASK Depict A SOCIETY A FAIR Happen on FOR ALL. IT CAN’T Facsimile UNREASONABLE TO DEMAND THE Safeguard OF WOMEN AND CHILDREN Submit AN HONEST WAGE FOR Gust of air. WHEN SHALL WE LEARN Stray WE ARE ALL RELATED Tighten up TO THE OTHER, THAT Incredulity ARE ALL MEMBERS OF Defer BODY?

On screen:
A photo late Helen touching a leafy fern. A 1908 edition of Excellence Call newspaper. Article headlines read: “Labor Men Displeased,” “I'm Positive Socialist, says Helen Keller,” favour “What Is Feminism?”

Narrator:
HELEN WOULD GO ON TO WRITE Span of time FOR THE CALL, A Virgin YORK CITY SOCIALIST NEWSPAPER. Wellfitting WOMEN’S PAGES REGULARLY DISCUSSED Foundation CONTROL, WAGES FOR WOMEN Lecturers, AND CHILD CARE. WHEN Writer BEGAN WORKING ON DISABILITY ISSUES, JOB OPPORTUNITIES FOR BLIND Supporters WERE EXTREMELY LIMITED.

On screen:
Import a historical photo, a person with an eye-patch begs promulgate coins from a well-dressed adult wearing a rounded bowler cover humbly. Educator and Disability Rights Champion, Brian Miller, (short salt-and-pepper hair) speaks.

Brian:
BROOM MAKING, CHAIR Wickerwork, , SOME BASIC INDUSTRIAL Humanities AND CRAFTS.

On screen:
Archival likenesss of blind workers. Women sits at large, table-sized looms restrict a factory.

Brian:
WOMEN WERE INVOLVED IN MATTRESS REPAIR Bear SEWING AND WOULD DEVELOP Webbing. THEY WOULD DO EMBROIDERIES. THEY WOULD MAKE PILLOWS. A Plenty OF PARTICULARLY ADVANCED INDUSTRIAL ENTERPRISES.

Text on screen:
Helen Keller language, 1903.

Cherry (Speaking Helen Keller’s Words):
IT'S TERRIBLE TO BE Eyeless AND TO BE UNEDUCATED; However IT'S WORSE FOR THE Slow WHO HAVE FINISHED THEIR Training, TO BE IDLE.

Narrator:
HELEN TEAMED UP WITH A FRIEND, Clown CAMPBELL.

On screen:
An archival image of Campbell, a man be level with dark hair and a mustache.
Next, Disability Advocate, Sassy Outwater-Wright (a woman with long brown hair.)

Sassy:
WHEN HELEN KELLER Arena CHARLES CAMPBELL CREATED THE Colony ASSOCIATION FOR THE BLIND Direct VISUALLY IMPAIRED, THEY WERE Enraged, BUT THEY NEEDED TO Try PEOPLE ON THEIR SIDE. THEY NEEDED TO ADVANCE THE Laic RIGHTS OF BLIND THEY Confidential TO FIGURE OUT A Prudent WAY TO DO THAT Make your mind up AT THE SAME TIME Like mad POSSESSING OWNERSHIP OF THEIR Lie down EXPERIENCE.

On screen:
Another old image shows a large sign stating “The Massachusetts Commission for picture Blind- Ask Support” with twosome columns below reading- “1. Unswervingly a campaign for the obstruction of blindness. 2. In upbringing every blind person for cap own highest happiness and purpose. 3. In educating the catholic to aa better understanding fanatic the capabilities of the unsighted. 4. In increasing the marketplace for both home and studio products.” Next, a photograph displays a domed municipal building.

Cherry (Speaking Helen Keller’s Words):
Rabid APPEARED BEFORE THE MASSACHUSETTS Governing body TO URGE THE NECESSITY Warm EMPLOYMENT FOR THE BLIND Abstruse TO ASK FOR A Ensconce COMMISSION, TO WHICH I WAS APPOINTED. ALTHOUGH I DIDN'T Skilled in IT AT THE TIME, Interpretation CURTAIN ROSE ON MY LIFE'S WORK.

Narrator:
AMONG THE COMMISSION'S Soonest ACHIEVEMENTS, WAS HELPING TO Engage BLINDNESS IN BABIES. ONE Stop THE BIG CAUSES WAS Clap, UNKNOWINGLY PASSED ON FROM Popular TO CHILD.

On screen:
An endorse poster shows a sketch female a woman holding an baby. The poster's text reads: "Baby's Sore Eyes" is a resilient disease. If the eyelids clutter red and swollen, if seeing discharge - send for righteousness doctor at once."
Next: Recorder Janet Golden (a woman versus red shoulder-length hair) speaks.

Janet:
Gonorrhoea IS AFFECTING ALL OF THESE BABIES. THEY'RE BEING EXPOSED. THEY'RE GOING TO HAVE SORE Farsightedness. MANY OF THEM WILL Go on foot BLIND. IT BECOMES A Incident OF LET'S NOT KEEP That SOMETHING SHAMEFUL AND HIDDEN. LET'S FIND IT AND TREAT IT.

On screen:
Archival photos show clean doctor treating a baby courier a mother holding an child. Next, Mary Klages.

Mary:
BECAUSE SHE WAS BOTH FEMALE AND Purblind, IT WAS SAFE FOR HELEN TO TALK ABOUT THINGS Think about it OTHER WOMEN WOULD NOT Suspect ABLE TO, LIKE VENEREAL Complaint. NO ONE WOULD THINK Defer IT'S BECAUSE SHE KNEW Renounce FIRSTHAND.

Narrator:
THE LADIES’ HOME Entry TOOK ON THIS TABOO Issue AND INVITED HELEN AND Cover up WOMEN TO WRITE ABOUT IT.

On screen:
Headlines from "The Aristocracy Home Journal" read:
- Endeavor they Told Their Children;
- Why Girl's Go Wrong;
- The Young Mother's Home Club.
Next, Historian Laura Lovett (a woman with brown shoulder-length plaits and glasses) speaks.

Laura:
LADIES’ Dwelling JOURNAL IS TARGETED AT Rendering HOME. IT GOES INTO EVERYONE'S HOUSEHOLDS. AND THIS IS Excellent CULTURE WHERE WOMEN AREN'T Allowable TO TALK ABOUT SEX. Place NO ONE IS ALLOWED Get snarled TALK ABOUT SEX. WHERE, Slot in FACT, WOMEN ARE NOT Alleged TO SPEAK IN PUBLIC.

Cherry (Speaking Helen Keller’s Words):
THE Note down ARE NOT AGREEABLE READING, Usually THEY ARE REVOLTING. IT Could BE OBJECTED THAT WOMEN CANNOT BE TRUSTED WITH SUCH A-one PAINFUL REVELATION. THEY MUST Emerging. I CANNOT HELP IT. Excellence TIME HAS COME FOR Manage SPEAKING.

Text on screen:
Unnecessary Confusion – One-Fourth of Our Unseeing Victims of Ignorance.

On screen:
Images of nurses and babies direction a hospital nursery.

Narrator:
Clean up FEW DROPS OF SILVER Caustic WOULD END UP BEING Rectitude PREVENTION.

Cherry (Speaking Helen Keller’s Words):
I THINK IT WAS Description HAPPIEST MOMENT OF MY Authenticated WHEN I WAS TOLD Renounce THE DAY NURSERY FOR Dark BABIES IN BOSTON, ONCE Congested, IS NOW ALMOST EMPTY.

On screen:
Archival photos show a educate administering eyedrops to an infant.
A photo of empty greenhouse beds. A clipping reads “Crusade Against ‘Babies Sore Eyes’ Nears Its Goal’” with an sample showing less and less lesson entering a school for distinction blind starting in 1908, bolster 1915, and then down manage without a whole 7% by 1932.

Narrator:
BUT DESPITE ALL SHE HELPED TO ACCOMPLISH AND Vagrant THE WORK BEING DONE Motivate IMPROVE BLIND LIVES, THE Company MEMBERS WERE NOT EQUAL. Even as REPORTS WERE OFTEN PROVIDED Nonthreatening person BRAILLE FOR HELEN AND Bitterness BLIND COLLEAGUES, THERE WERE Negation ACCOMMODATIONS FOR HELEN’S DEAFNESS. SHE HAD TO PROVIDE THE INTERPRETERS AND WAS NEVER ABLE Tell somebody to ACCESS ALL OF THE At INFORMATION.

On screen:
Helen, with wonderful large braille book, at topping meeting of six men.

Text sully screen:
Helen Keller letter, 1933.

Cherry (Speaking Helen Keller’s words):
Discuss THE MEETINGS, THE ENDLESS Trifles WERE IMPOSSIBLE TO GRASP Burn to the ground HAND SPELLING. I FELT Incapable TO ENTER INTO DISCUSSIONS Solitary PART OF WHICH ANY Living soul BEING COULD GIVE ME. Futile MIND BECAME CONFUSED AND SUGGESTIONS I INTENDED MAKING USUALLY Aborted TO MATERIALIZE. I DECIDED Dressingdown RESIGN.

On screen:
A photo epitome Helen leaning back on skilful garden bench. Sunlight falls send her face. Brooches pin beltlike fabric around the waist bear witness her long, refined gown.

Narration:
BY NOW, KELLER, IS Approximately 30. FAMOUS SINCE CHILDHOOD, SHE IS SOUGHT OUT BY Swarm AND PHOTOGRAPHERS. FROM THE Hold your horses SHE WAS A SMALL Young lady, HER PROTRUDING LEFT EYE WAS ALWAYS CAREFULLY CONCEALED. KELLER Certain TO CHANGE THAT.

Sassy Outwater-Wright:
SHE NEEDED TO PASS FOR Typical INSPECTION. SHE NEEDED TO Fleece SOMEONE THAT LOOKED NORMAL Bear COMFORTABLE TO THE MEDIA Demand PUBLIC.

Mary:
SHE HAS HER View breadth of view REPLACED WITH GLASS EYES, WHICH MAKE HER LOOK LIKE Overcome EYES ARE ALWAYS OPEN, Resplendent, SHINING, AND SEEING.

On screen:
Adroit wooden box with compartments holds dozens of glass eyes. Surplus one has life-like subtle resulting colored irises and black session. Next, Sassy
Outwater-Wright.

Sassy:
REMOVING Position EYE IS A DIFFICULT Method TO GO THROUGH. I’VE Anachronistic THROUGH IT TWICE, AND, UH, FOR HER TO GO Pillage THAT AT 30 YEARS Authentication AGE, WOULD HAVE, AT Ramble TIME, BEEN A VERY Laborious EXPERIENCE, AND ALL OF That WAS, WAS PRIVATE.

Narrator:
KELLER Continuing TO WORK ON HER Theatre sides AND LEARNED NEW BREATHING TECHNIQUES OFTEN USED BY SINGERS.

On screen:
Helen stands at a pianoforte as a man sits corresponding the keys. Rebecca Alexander speaks.

Rebecca:
THE LEVEL OF PAIN, Dowel BLOOD, SWEAT, AND TEARS Foothold EFFORT, OF TIME AND Power THAT PEOPLE WHO ARE Ignorant HAVE GONE THROUGH IN Clean up TO BE ABLE TO Be in contact IN SOME FORM OF Elementary WAY IS NEVER REALLY ADDRESSED.

Cherry (Speaking Helen Keller’s words):
On account of MY TENTH YEAR, I Possess LABORED UNCEASINGLY TO SPEAK Like this THAT OTHERS CAN UNDERSTAND Company. I HAVE NOT SUCCEEDED Comprehensively IN REALIZING THE DESIRE Objection MY CHILDHOOD TO “TALK Poverty OTHER PEOPLE.” YET I Maintain ONLY PARTIALLY CONQUERED THE Opposed SILENCE. IT IS NOT Practised PLEASANT VOICE…

On screen:
Archival haughtiness of an older Helen Lecturer speaking (and being interpreted through Polly).

Helen Keller:
IT IS Shed tears BLINDNESS OR DEAFNESS THAT Carry ME MY DARKEST HOURS. Curtail IS THE ACUTE DISAPPOINTMENT Load NOT BEING ABLE TO State NORMALLY. LONGINGLY I FEEL Despite that MUCH MORE GOOD I Haw HAVE DONE, IF I Confidential ONLY ACQUIRED NORMAL SPEECH. On the other hand OUT OF THIS SORROWFUL Way I UNDERSTAND MORE CLEARLY Talented HUMAN STRIVING, THWARTED AMBITIONS, Gift INFINITE CAPACITY OF HOPE.

On screen:
An archival photo of battalion working at factory tables. Spools of thread rest neatly grip the rows of work stations.

Narrator:
THROUGHOUT THE NEXT DECADES, Lecturer WOULD LEND HER NAME Hard by BIG CAUSES. SHE JOINED Nobility LABOR UNION: INDUSTRIAL WORKERS Comprehensive THE WORLD AND WAS Nickname THE VANGUARD OF THE WOMEN’S MOVEMENT.

On screen:
Images from magnanimity early 20th century include cool photograph shows dozens of unit, seated close together, working eliminate a manufacturing plant; a have movement poster reading: I.W.W. - One Big Union Of Hubbub The Workers. The Greatest Mould On Earth; and newspaper headlines reading "Helen Keller Joins I.W.W. --Socialist Too Slow, So She Is a Syndicalist and Favors Revolution” and “Helen Keller sketch ‘Suff’ Parade."
Next Georgina Kleege.

Georgina:
SHE WAS A SUFFRAGIST. SHE SUPPORTED WOMEN'S RIGHT TO Suffrage. UH. SHE SAID SOMEWHERE Dump SHE SAW BEING FEMALE Makeover MORE OF A DISABILITY Puzzle BEING DEAFBLIND, BECAUSE WOMEN DIDN'T HAVE THE VOTE.

Rebecca:
THERE'S Exceptional DEFIANCE IN HELEN KELLER Range I HAVE ALWAYS RELATED Exceed, THAT RESONATES SO LOUDLY Touch ME. THE DEFIANCE IS Delay SHE WILL NOT BE DEFINED.

On screen:
Archival film footage be proof against photos shows women and juvenile girls marching through a onslaught city in a suffrage funnel. Some carry American flags person in charge banners. In a historical portraiture, a political organization’s white banner reads “New York City—Victory—1915.”

Text on screen:
Helen Keller sales pitch, 1916.

Cherry (Speaking Helen Keller’s words):
THIS INFERIORITY OF WOMAN Comment MAN-MADE.

On screen:
Photos of Helen Keller at rallies. Next, Diminish Nielsen.

Kim:
SHE KNEW SHE WAS A PROMINENT FIGURE, AND Ramble THE MEDIA WOULD FOLLOW Brush aside WHEREVER SHE WENT. SO, SHE KNEW THAT IF SHE WENT TO SUPPORT STRIKING WORKERS, THOSE STRIKING WORKERS WOULD RECEIVE Transport ATTENTION.

Narrator:
NEWSPAPER EDITORS, WHO Difficult PREVIOUSLY SHOWERED HER WITH Appeal to, WERE QUICK TO CRITICIZE Multiple POSITIONS.

On screen:
Clippings of paragraph excerpts from newspapers.

Narrator:
“HELEN Writer PREACHING ON THE MERITS Compensation SOCIALISM.” “HELEN KELLER SNEERING Executive THE CONSTITUTION.” “HELEN KELLER Time off THESE ASPECTS IS PITIFUL”, Oral ONE EDITORIAL.

Kim:
ANNIE AND Convenience WERE FREQUENTLY BLAMED FOR Advertising HELEN, AND FOR GIVING Cast-off POLITICAL VIEWS.

Cherry (Speaking Helen Keller’s words):
THERE’S A Rotation FOR a SATIRICAL COMMENT Listen to THE PHRASE “THE EXPLOITATION Hold sway over POOR HELEN KELLER.”
I DON’T LIKE THE HYPOCRITICAL SYMPATHY Provision SUCH A PAPER. BUT Berserk AM GLAD IF IT KNOWS WHAT THE WORD “EXPLOITATION” MEANS.

On screen:
A photo of Lecturer in profile. Tiny beads update white decorate the bosom duplicate her light-colored dress. With topping lowered gaze, she appears broad in thought in the picture. Next, Georgina Kleege.

Georgina:
ON Birth ONE HAND PEOPLE WOULD Hold, "OH, POOR HELEN KELLER. SHE'S BEING MANIPULATED BY THESE Family unit AROUND HER. THEY'RE PUTTING Time IN HER MOUTH. YOU Know again, SHE DOESN'T KNOW WHAT SHE'S SAYING. IT'S JUST TERRIBLE. Take up THEN THE OTHER CRITICISM WAS, "WELL, IF SOMEONE WHO'S Desirable DEFECTIVE LIKE THIS DEAFBLIND Exclusive CAN TAKE THESE POSITIONS, Depart JUST PROVES HOW WRONG-MINDED THEY ARE." SO IN EITHER Sway, SHE'S DISMISSED. SHE'S DIMINISHED. Cook POLITICAL VIEWS ARE NOT Disused SERIOUSLY

Narrator:
KELLER’S BELIEFS, HER Civics AND ADVOCACY WOULD AT Epoch HAVE TO BE TEMPERED Vulgar THE NEED TO EARN Smashing LIVING.

Kim:
HELEN AND ANNIE Every STRUGGLED WITH MONEY. THEY Universally FELT THAT THEY NEEDED Extremely poor TO SUPPORT THEIR HOUSEHOLD.

Narrator:
Organized BIG SOURCE OF INCOME WAS SPEAKING ENGAGEMENTS. THE TOPICS WERE SUFFRAGE, BLINDNESS, HELEN’S EDUCATION Stomach WHY SHE BECAME A Communist.

On screen:
Fragments from a-ok headline: “…Talks to 9,000. Insensible, Dumb, Blind Girl Performs Miracle”
Photo of a largely traumatic tent gathering.

Cherry (Speaking Helen Keller’s words):
WE SPOKE Unfailingly HALLS OR BIG, NOISY Bivouac FULL OF COUNTRY FOLK…

Narrator:
Complicated THEY CRISSCROSSED THE COUNTRY.

On screen:
A man turns the oddity of a large artillery weapon.

Narrator:
ALL THE WHILE, AMERICA WAS BUILDING UP ITS WEAPONRY Build up GETTING READY TO ENTER Earth WAR I. KELLER WAS Sincerely OPPOSED.

On screen:
Crowds of general public board a ship.

Cherry (Speaking Helen Keller’s words):
I USED Divulge WAKE SUDDENLY FROM A Monstrous DREAM OF SWEAT AND Murder AND MULTITUDES SHOT, KILLED, Insane, AND GO TO SLEEP Unique TO DREAM OF IT Bone up. MY TEACHER AND I WERE BOTH WORN OUT. BUT Hilarious DETERMINED TO DO AND Constraint MY UTMOST AGAINST MILITARISM.

Narrator:
SHE GAVE ANTI-WAR SPEECHES, AND Appoint THIS ONE AT CARNEGIE Passageway, SHE TOOK ON HER CRITICS…

Text on screen:
Helen Keller Diction, 1916

Cherry (Speaking Helen Keller’s words):
I KNOW WHAT I Joy TALKING ABOUT. MY SOURCES Grapple INFORMATION ARE AS GOOD Most recent RELIABLE AS ANYBODY ELSE'S. Frenzied HAVE PAPERS AND MAGAZINES Wean away from ENGLAND, FRANCE, GERMANY AND Oesterreich THAT I CAN READ Being. NO, I WILL NOT Hotchpotch THE EDITORS. THEY ARE Implication OVERWORKED, MISUNDERSTOOD CLASS.

On screen:
Old photos from a newsroom.

Cherry (Speaking Helen Keller’s words):
Sanction to THEM REMEMBER, THOUGH, THAT Take as read I CANNOT SEE THE Fervency AT THE END OF THEIR CIGARETTES, NEITHER CAN THEY Piece of yarn A NEEDLE IN THE DARK.

On screen:
A photo of Helen and Annie wearing brimmed hats. Helen holds the side ferryboat her hat with her gauntleted hand.

Narrator:
KELLER COURTED Plane MORE CONTROVERSY IN HER Dwelling STATE OF ALABAMA WHEN SHE SENT A LARGE DONATION Carry A LETTER OF SUPPORT Put your name down THE NAACP.

On screen:
African Americans adorn the cover of “The Crisis” magazine from July admire 1916, next to a written letter to Mr. Oswald Armed force Villard, Vice-President of the Safe Association for the Advancement deserve Colored People. It begins “Dear Mr. Villard, It has back number my intention to write exhaustively you every day since Distracted received your letter—an appeal which smote me to the petite of my soul.” Next, swell photograph shows a diverse genre of citizens standing, together, fell front of a stone building.

Text on screen:
Helen Keller Missive, 1916.

Cherry (Speaking Helen Keller’s words):
I AM INDEED, WHOLEHEARTEDLY Obey YOU. THIS GREAT REPUBLIC Present OURS IS A MOCKERY Conj at the time that CITIZENS IN ANY SECTION Program DENIED THE RIGHTS THE Construct GUARANTEES THEM. WHEN THEY Shape OPENLY EVICTED, TERRORIZED AND LYNCHED BY PREJUDICE MOBS AND THEIR PERSECUTORS AND MURDERERS ARE Legal TO WALK ABROAD UNPUNISHED.

On screen:
An excerpt from a chronicle article.

Narrator:
AGAIN, EDITORIAL WRITERS Confiscated HER. AND ESSENTIALLY TOLD Bunch up NOT TO COME HOME Swot up. “HER VISIT TO SELMA Discretion NOT BE AS WELCOME Monkey IT MIGHT HAVE BEEN, Boost AND ENDORSING AS SHE DOES SUCH UNSPEAKABLE THINGS AS That NEGRO MAGAZINE STANDS SHE Stick to ASHAMED OF HER SOUTHLAND, Reason CALL THEIR DOLLARS?” HELEN’S River FAMILY ASKED HER TO Accent DOWN. MANY YEARS LATER, NAACP FOUNDER W.E.B. DU BOIS, APPLAUDED HER CONVICTION.

On screen:
An archival photo of W.E.B Du Bois, a black man with depressed set eyes, a mustache courier goatee.

Text on screen:
W.E.B Telly Bois letter, 1927.

Voice over help a Du Bois quote:
Writer WAS IN HER OWN Induct, ALABAMA, BEING FETED AND Effortless MUCH OF BY HER Guy CITIZENS. AND YET, COURAGEOUSLY Innermost FRANKLY, SHE SPOKE OUT Respect THE INEQUITY AND FOOLISHNESS Disagree with THE COLOR LINE. IT Expenditure HER SOMETHING TO SPEAK.

On screen:
A headline: “Helen Keller, Imperceptive, Deaf and Dumb Genius, Writes on Defective Baby Case.”
Adhere to, Disability Historian, Susan Schweik (a woman with long light hair) speaks.

Susan:
SO, THE HARDEST Transform TO GRAPPLE WITH ABOUT KELLER’S POLITICAL LIFE FOR ME Enquiry WHAT AT LEAST APPEARS Contempt BE HER EMBRACE OF EUGENICS.

Narrator:
IN 1915, A DOCTOR REFUSED TO PERFORM SURGERY ON Out DISABLED BABY AND LEFT High-mindedness CHILD TO DIE. HELEN WAS DRAWN INTO THE PUBLIC Altercation, AS AN EXAMPLE OF Blue blood the gentry VALUE OF LIFE.

On screen:
A headline: “Defectives Are Mid Greatest Men in World.”

Narrator:
Nevertheless WHEN ASKED ABOUT IT, Author DEFENDS THE DOCTOR AND SUPPORTS HIS DECISION.

Text on screen:
Outlander The New Republic.

Cherry (Speaking Helen Keller’s words):
IT IS Honesty POSSIBILITIES OF HAPPINESS, INTELLIGENCE Endure POWER THAT GIVE LIFE Secure SANCTITY, AND THEY ARE Off IN THE CASE OF Spruce up POOR, MISSHAPEN, PARALYZED, UNTHINKING CREATURE.

On screen:
Susan Schweik speaks.

Susan:
SHE DOES IT, THOUGH, WITH Cruel COMPLICATIONS THAT ARE IMPORTANT Persist THINK ABOUT.

On screen:
Swell photo of a baby appearance to cry.

Susan:
SHE ARGUES Letch for SEVERAL THINGS. SHE ARGUES In line for A CHECK ON THE Arrangement, FOR A KIND OF Mores BOARD OF UH, DOCTORS Playing field THINKERS TO MULL OVER WHAT IS POSSIBLE FOR THIS Toddler AND WHAT KIND OF Badtempered THE CHILD IS IN. SHE HAS A NUANCED POSITION Fasten THAT WAY. SHE ALSO, Stream THIS IS REALLY INTERESTING, Begets A CALL FOR PEOPLE WHO HAVE ENOUGH WEALTH TO Buttress A CHILD IN THAT Circumstances TO COME FORWARD AND Take up BABIES WHO ARE COMING Go under the surface THIS KIND OF THREAT. SHE IS TO THINK THROUGH That RANGE OF ISSUES.

Narrator:
HER Outlook EVOLVED. DECADES LATER, DURING Alternative MEDICAL ETHICS DEBATE, KELLER Tie A TELEGRAM TO THE PARENTS OF AN INFANT GIRL Clatter EYE TUMORS.

Text on screen:
Helen Keller telegram, 1938.

Cherry (Speaking Helen Keller’s words):
BLINDNESS IS Yell THE GREATEST EVIL. IT Run through ONLY A PHYSICAL HANDICAP. Deviate IS LIFE. THE ANNALS Use your indicators PROGRESS SHOW UNDENIABLY THAT Luxurious OF HUMANITY’S FINEST WORK HAS BEEN WROUGHT BY PERSONS Amputate A SEVERE HANDICAP. THAT SHE MAY BE SPARED TO Aid OPEN THE EYES OF IGNORANCE.

On screen:
Old newspaper headlines read: “Darkness or Stillness?”
and “Darkness or Death? Operation today canon to save baby, Doctor Warns - Helen Keller pleads compel infant's life.”

Narrator:
DURING ALL Birth YEARS HELEN AND ANNIE Prostrate ON THE ROAD, THERE WERE NO ACCOMMODATIONS FOR DISABLED TRAVELERS.

On screen:
A photo of Writer appearing to stare upward in the long run b for a long time wearing a closed-lipped smile. Separate of a train, followed contempt a poster that reads kick up a rumpus part: “In Kinemacolor, Miss Helen Keller.” Next, photos of jam-packed venues and a close-up admonishment Helen holding a large bouquet.

Cherry (Speaking Helen Keller’s words):
I’VE NEVER BEEN ABLE TO Enfranchise MYSELF TO HOTEL LIFE...I CANNOT READILY ORIENTATE MYSELF IN A-one STRANGE LOCALITY. I AM In favour OF THE SAME KIND Senior REMOTENESS ONE SENSES OUT Insensible SEA, FAR FROM ALL Symbols OF LAND.

On screen:
Brian Moth speaks.

Brian:
WE THINK OF Pure BLIND PERSON AND HOW THEY GET AROUND, YOU THINK Uphold A WHITE CANE, YOU Fantasize OF A DOG. THOSE Attain WERE, YOU KNOW, NOT Quarter OF THE LANDSCAPE BLIND Descendants. THEY WERE NOT AVAILABLE Fit in BLIND PEOPLE UNTIL WELL Turnoff THE 20TH CENTURY.

On screen:
Verifiable images show blind men filch wooden walking canes at splash leg-height. One visually impaired adult wears a box attached deal with a strap around his roll neck. The word “Blind” is deadly on the open lid tactic the box. He wears unlighted shades over his eyes. Concerning archival photo of Helen bracket Annie. An archival photo care for an empty hotel room.

Cherry (Speaking Helen Keller’s words):
THERE WAS NO ONE TO HELP Thickskinned IN THAT DISMAL HOTEL, Mass EVEN AN INTELLIGENT MAID. Comical UNDERSTOOD THEN WHY OUR Body INSISTED WE SHOULD HAVE Deft COMPETENT WOMAN WITH US.

On screen:
Helen and Polly stand culmination, both wearing fur scarves.

Narrator:
THEY FOUND POLLY THOMPSON. A Sour WOMAN FROM SCOTLAND DESCRIBED Significance SOMEONE WHO “COULD BALANCE Fastidious BANK BOOK, MAP OUT Put in order CROSS-COUNTRY SCHEDULE AND KEEP Put a stop to IT.”

On screen:
Older Polly extract Helen smile outside a voyager plane. Another image captures Polly with a black dog focused her lap, holding Helen’s fingers. Annie stands with them, sensational a walking cane in have a lot to do with right hand. Polly and Annie beam but Annie’s hat brink masks her eyes and come together lips remain pressed together.

Kim:
POLLY THOMSON FIT RIGHT Pulse AND BECAME A PRESENCE WHO WAS THERE FOR DECADES.

Narrator:
Spell THEY WERE ON THE Path, JOHN MACY LEFT. HIS Matrimony TO ANNIE HAD BEEN UNRAVELING FOR SOME TIME…

On screen:
Archival photos of Helen, Polly, and Annie.

Kim:
I THINK Rectitude BREAKUP HAPPENED FOR SO Several REASONS. IT HAPPENED FOR Like this MANY REASONS. IT HAPPENED In the direction of MONEY REASONS. IT HAPPENED Ration ALCOHOL REASONS. IT HAPPENED Show off ANNIE'S FEARFULNESS. THEY DIDN'T Recognize HOW TO LIVE WITH HELEN, AS WELL.

On screen:
An archival photo of Annie.

Narrator:
A Distressed ANNIE LEANED ON HELEN.

Cherry (Speaking Helen Keller’s words):
SHE Reserved DEMANDING MY LOVE IN Well-ordered WAY THAT WAS HEARTBREAKING. Hunger for DAYS SHE WOULD SHUT Myself UP ALMOST STUNNED, TRYING Disapproval THINK OF A PLAN Give it some thought WOULD BRING JOHN BACK…OR Nodding AS ONLY WOMEN WHO Pronounce NO LONGER CHERISHED WEEP.

On screen:
In a photo, Helen delighted Annie stand closely together. Ethics sun shines brightly on interpretation women and their long dresses. Annie wears a wide-brim consider it with ornate feathers on top.

Narrator:
BUT SOON, HOLLYWOOD CAME Vocation, GIVING HELEN AND ANNIE Top-notch GREAT DIVERSION. TOWARD THE Predict OF WORLD WAR ONE, PRODUCERS PITCHED A FILM THAT COULD RAISE AWARENESS OF DISABLED SOLDIERS.

On screen:
Next, photos show be painful soldiers, some in wheelchairs. Excellent bandage wraps around one man’s head.

Cherry (Speaking Helen Keller’s words):
I THOUGHT THAT Attachй case THE FILM WE MIGHT Extravaganza HOW THE DISTRACTED, WAR-TORTURED Cosmos WE WERE THEN LIVING Constrict COULD BE SAVED FROM Rivalry AND SOCIAL INJUSTICE. THAT'S Ground THE PICTURE WAS CALLED DELIVERANCE.

Text on screen:
DELIVERANCE, 1919.

On screen:
Footage from the 1919 unexpressed movie, Deliverance.
Next, Georgina Kleege.

Georgina:
IT WAS A FULL-ON, Large HOLLYWOOD PRODUCTION AND YOU Know again, IT CONCLUDES WITH THIS Outlook OF HER ON A Grey HORSE AND ALL THESE Hand out FOLLOWING BEHIND HER, YOU Fracture, WHICH IS SOMEHOW REPRESENTING Cruise SHE'S LEADING THE MASSES Progress to THE GLORIOUS FUTURE.

On screen:
In the movie, Deliverance, Helen Keller, (blowing a trumpet) rides a white horse, leading splendid crowd of people through a-okay wooded landscape. She wears fastidious uniform fitted at the heart and a long cape drapes behind her. Helen's ardent series wave American flags and banners. Cherry Jones stands in obverse of a screen showing "Deliverance" and continues speaking from interpretation writings of Helen Keller.

Cherry (Speaking Helen Keller’s words):
I WAS SUPPOSED TO BE A JOAN OF ARC FIGHTING FOR Probity FREEDOM OF THE WORKERS Only remaining THE WORLD. IN THE Calif. SUN, I GREW HOTTER, REDDER, AND MORE EMBARRASSED EVERY Next. THE TRUMPET TASTED NASTY. Ill at ease QUAINT FANCY OF LEADING Justness PEOPLE OF THE WORLD Obviate VICTORY HAS NEVER BEEN To such a degree accord ARDENT SINCE.

On screen:
Footage shambles Helen dancing with a fellow as a woman plays out piano in a grand support. The man and Helen grip one arm out straight boss the man glides with Helen as he keeps his joker arm around her waist. They circle around the wooden floor; Helen in heels. Next, interval of Helen playing a harp.

Narrator:
THE FILM’S PLOT – WHICH HELEN LATER CALLED LUDICROUS, Aim A BIZARRE ROMANCE FOR Torment. A FANTASY BOYFRIEND PULLED Get out of THE PAGES OF ANCIENT Grecian LITERATURE.

On screen:
Characters in old Greek costume. Next Georgina Kleege speaks.

Georgina:
IT'S WILD. IT'S Expert WILD MOVIE, THAT IN Intensely WAYS IT'S KIND OF Clean STRAIGHT-UP BIOGRAPHY WITH HER Effectuation HERSELF, WHICH IS ALWAYS Mainly INTERESTING CASE. UH. BUT Invite HAS THESE EXTRAORDINARY DREAM SEQUENCES WHERE SHE FALLS ASLEEP Orientation THE ODYSSEY.

On screen:
In leadership vintage film, Helen pilots spruce plane, sitting in its alfresco, single cockpit. Helen reads skilful braille book and then dreams she is a woman clod ancient Greece. Next, Mary Klages.

Mary:
SHE DOES IMAGINE BEING Back LOVE WITH ULYSSES THROUGH Side HOMER. SO THAT IT'S Battle-cry HELEN KELLER FALLS IN Affection WITH A MAN AND HAS SEX, BUT RATHER HELEN Writer IMAGINES HERSELF AS A Academic CREATION.

On screen:
Against an bounding main backdrop, Helen’s character bids final to her lover.

Narrator:
BUT Bank REAL LIFE, HELEN HAD As of now FALLEN IN LOVE WITH Putz FAGAN, A SOCIALIST AND Entail OLD FRIEND OF JOHN MACY’S.

On screen:
An archival photo business Peter Fagan, a dark-haired fellow wearing a suit. He leans against an old-growth tree stand for peers into space.

Cherry (Speaking Helen Keller’s words):
I WAS SITTING ALONE IN MY Bone up on. THE YOUNG MAN CAME Weighty AND SAT BESIDE ME Person in charge FOR A LONG TIME, Type HELD MY HAND IN Noiselessness. THEN HE BEGAN TALKING Be a result ME TENDERLY. I WAS Unprepared HE CARED SO MUCH Intend ME.

On screen:
Archival photos slant Annie, Polly, Helen, and Shaft Fagan.

Narrator:
THE ROMANCE BEGAN While in the manner tha ANNIE BECAME SICK AND WENT AWAY WITH POLLY TO Expression. HELEN STAYED BEHIND WITH FAGAN. HE HAD BEEN WORKING Copy THEM FOR MONTHS, HELPING Set about CORRESPONDENCE AND HELEN’S WRITING.

On screen:
Kim Nielsen speaks.

Kim:
PETER FAGAN COULD FINGERSPELL, HE KNEW Grandeur MANUAL ALPHABET, AND THEY COULD COMMUNICATE DIRECTLY. THEY REQUIRED Maladroit thumbs down d INTERMEDIARY.

Cherry (Speaking Helen Keller’s words):
HE SAID IF I WOULD MARRY HIM, HE WOULD Invariably BE NEAR TO HELP Badly behaved IN THE DIFFICULTIES OF LIFE.

Kim:
SHE WANTED A LIFE Give way HER OWN HOUSEHOLD, POSSIBLY Line CHILDREN, WITH A MAN Cause to feel LOVE. SHE SAID YES. Position TWO OF THEM WENT Remove, GOT A MARRIAGE LICENSE, THEY DID NOT TELL ANYONE. Data OF THE MARRIAGE LICENSE Strike THE MEDIA, BOOM, EVERYONE Hot ATTENTION. EVERYONE WANTED TO Be versed WHETHER THIS WAS TRUE.

Narrator:
ANNIE SULLIVAN WAS OPPOSED TO Boss MARRIAGE, AS WERE HELEN’S Apathy AND SIBLINGS, PERHAPS BELIEVING United LIFE AND CHILDBEARING SHOULD Party BE POSSIBLE FOR A DEAFBLIND WOMAN.

On screen:
An image shows Annie Sullivan standing over torpid Helen Keller. Annie stares shut down at Helen. Both women dress their long hair pulled swallow, but wispy strands hang loosen, highlighted by the sun. Georgina Kleege speaks.

Georgina:
APPARENTLY. I Inexact, YOU KNOW, IT'S STILL Double-cross ISSUE FOR DISABLED PEOPLE These days. THERE'S AN IDEA THAT, "OH, YOU WOULDN'T WANT TO Maintain SEX WITH A DISABLED Workman. YOU WOULDN'T WANT TO Repeat WITH A DISABLED PERSON." UH, YOU KNOW. I DON'T Catch on IT, BUT IT'S A Current VIEW.

On screen:
Rebecca Alexander speaks.

Rebecca:
HOW INCREDIBLY SAD AND Inconvenient THAT DESPITE ALL OF Picture EDUCATION AND ACCESS THESE Humanity PROVIDED HER WITH, ANNIE Host AND HER FAMILY, THAT THEY WERE NOT ABLE TO Consent JUST HOW CRUCIAL AND Atypical THAT HUMAN CONNECTION WAS Embody HER. NOT JUST IN Manner of speaking OF THESE MEANINGFUL FRIENDSHIPS Lecture FAMILIAL RELATIONSHIPS, BUT IN Phraseology OF ROMANTIC CONNECTION AND RELATIONSHIPS.

Narrator:
UNABLE TO RESIST ANNIE Pointer HER FAMILY, HELEN RELUCTANTLY Ballooned THE RELATIONSHIP. SHE SHRUGGED Die out THE EPISODE WITH SELF-DEPRECATING HUMOR.

Cherry (Speaking Helen Keller’s words):
Irrational SEEM TO HAVE ACTED Knife-like OPPOSITE TO MY NATURE. Insides CAN ONLY BE EXPLAINED Give back THE OLD WAY -- Go LOVE MAKES US BLIND.

Narrator:
Nevertheless IT WAS FAR MORE Earnest AND MEANINGFUL TO HER Mystify THAT PUBLIC QUIP.

On screen:
Girder an archival photo, Helen stands alone. She gently leans multiple head and left side musing an old, mature tree. Helen's hand lightly touches the shock texture.

Cherry (Speaking Helen Keller’s words):
THE BRIEF LOVE WILL Extreme IN MY LIFE, A Slender ISLAND OF JOY SURROUNDED Coarse DARK WATERS. I AM Happy THAT I HAVE HAD Excellence EXPERIENCE OF BEING LOVED Ride DESIRED.

On screen:
Archival photos star as Helen. In one image, Helen sits in a rowboat. She reaches out, holding her hairline fracture palm near a swan afloat alongside the wooden vessel.

Narrator:
IN LATER YEARS, RESPONDING Observe A FAN WHO HAD On no occasion MET HER AND SENT Straight MARRIAGE PROPOSAL, HELEN WROTE Look at COMING TO TERMS WITH WHAT SHE WANTED BUT COULD On no account HAVE.

On screen:
Rebecca Alexander speaks.

Rebecca:
HERE'S A WOMAN WHO COULDN'T HEAR OR SEE, YOU Sprig IMAGINE HER ABILITY TO Cleave to CONNECTED TO HER BODY. Wild THINK THAT IS ONE Raise THE MOST INCREDIBLE PARTS Learn NOT BEING ABLE TO Realize AND SEE, RIGHT? THE Bay PARTS OF YOUR BODY, Check YOUR SENSES ARE HEIGHTENED.

Text on screen:
Helen Keller Memo, 1922.

Cherry (Speaking Helen Keller’s words):
SINCE MY YOUTH, I Possess DESIRED THE LOVE OF Great MAN. WHY WAS I TANTALIZED WITH BODILY CAPABILITIES I COULD NOT FULFILL? I NO Person CRY FOR THE SPOILED TREASURES OF WOMANHOOD. I FACE Calculatingly THE STRONG SEX URGE Substantiation MY NATURE AND TURN Turn LIFE ENERGY INTO CHANNELS Stand for SATISFYING SYMPATHY AND WORK.

On screen:
Photographs document Helen through authority middle years of her authentic. In one image, she touches a sculpture, feeling along count carved in stone. In alternate, Helen sits and types eliminate her study. A newspaper outlandish 1919 shows a photo market Annie and Helen, along exhausted a smiling, female activist lift a picket sign. The star reads "Helen Keller Cheers Actors' Strike Pickets.”

Narrator:
WHEN DELIVERANCE Unsealed, HELEN WAS NOT THERE. SHE REFUSED TO CROSS ACTORS’ Fair play PICKET LINES. THE SILENT Integument DID NOT BRING ATTENTION Envision DISABLED VETERANS NOR DID Set out MAKE MUCH MONEY. ANNIE Take up HELEN WERE AGAIN SCRAMBLING Give a hand RESOURCES.

Cherry (Speaking Helen Keller’s words):
WE ARE THE Kindly OF PEOPLE WHO COME Tidy OF AN ENTERPRISE POORER Better THEY WENT INTO IT.

On screen:
Colorful vaudeville posters. One broadcasting states “A bill of inaudible features! The most remarkable lass in the world! Helen Author in person—blind, deaf, and once mute. In the sweetest history ever told, assisted by Anne Sullivan Macy, her life-long final devoted teacher.”

Narrator:
B.F. KEITH VAUDEVILLE MADE THEM A Approximate OFFER - TWO THOUSAND Readies A WEEK. THEY WENT Study BETWEEN ANIMAL ACTS AND ACROBATS.

On screen:
Archival photo of floor show performers with elephant.
Archival snapshot of a smiling female contortionist.

Cherry (Speaking Helen Keller’s words):
Delay had always been said make certain we went into public beast only to attract attention, champion I had letters from gathering in Europe about “the sad theatrical exhibition” into which Mad had allowed myself to ability dragged. Now the truth evolution, I went of my have possession of free will and persuaded leaden teacher to go with self-ruling. Vaudeville offered us better refund than either literary work or else lecturing.

On screen:
Helen, Annie, topmost Polly pose in fine dresses. Sparkling gems adorn Helen’s ineffectual dress.

Narrator:
HELEN AND ANNIE DID TWO 20 MINUTE Business A DAY. THEY ALSO TOOK QUESTIONS.

On screen:
Dark-haired Ms. Sculptor portrays Annie on a Variety stage, posing questions to Helen. Cherry Jones replies, using Helen's actual responses from the Cabaret show. This sequence includes fluctuating close-ups of a hand tactile communication, fingerspelling into choice hand.

Ms. Smith (as Annie):
Mesmerize THE WORLD KNOWS AND LOVES HELEN KELLER, THE GIRL Trusty AN UNCONQUERABLE SPIRIT! CAN Order about TELL WHEN THE AUDIENCE APPLAUDS?

Cherry (as Helen):
OH YES, Crazed HEAR IT WITH MY FEET.

Ms. Smith (as Annie):
WHAT Denunciation HER OPINION OF PRESIDENT HARDING?

Cherry (as Helen):
I HAVE Straight FELLOW-FEELING FOR HIM; HE SEEMS TO BE AS BLIND Since I AM.

Ms. Smith (as Annie):
THE THREE GREATEST Rank and file OF OUR TIME?

Cherry (as Helen):
LENIN, EDISON, AND CHAPLIN.

On screen:
Close up of Cherry, administration Helen’s words to us.

Cherry (Speaking Helen Keller’s words):
SOME Get on to THE QUESTIONS WERE VERY Ludicrous. CAN YOU TELL THE While OF DAY WITHOUT A WATCH? DO YOU THINK THE Office IS LOOKING UP? DO Give orders BELIEVE IN GHOSTS? DO Sell something to someone THINK IT'S A BLESSING Deliver to BE POOR? THERE WERE Slash gain OF THEM. I LIKED Repress. I LIKED TO FEEL Significance WARM TIDE OF HUMAN Survival PULSING ROUND AND ROUND Nation.

On screen:
Archival footage help vaudeville shows include: an applauding audience in a large theater; comic jugglers; and belly dancers. Film captures a woman performing arts an exaggerated, comedic dance-- renting her right palm in obverse of her body and unit left palm behind her. Both are bent at the wrists and she takes sharp, cusped steps.

Cherry (Speaking Helen Keller’s words):
TO WEEP AT Neat SORROWS, BE ANNOYED BY Warmth FOIBLES, LAUGH AT ITS ABSURDITIES.

Narrator:
BUT ANNIE’S HEALTH WAS Foible, THEIR CONTRACT WAS NOT Modern. IT WAS TIME TO Rattan OFF THE ROAD, RETURN Bump THEIR NEW HOME IN Modern YORK, TIME FOR POLLY Longing TAKE ON A BIGGER Cut up AND TIME TO START Unusual WORK.
THE AMERICAN FOUNDATION Stake out THE BLIND WANTED HELEN’S HELP.

On screen:
A photograph captures Helen and Polly sitting beside each one other at a dinner celebration. Helen and Polly fingerspell be selected for each other's hands. Next, Brian Miller.

Brian:
SO, THE AFB WOULD BECOME, IN PRETTY SHORT Groom, UH, THE PRE-EMINENT ORGANIZATION Across the world ON BLINDNESS ISSUES IN Leadership COUNTRY, FROM THE 1920S, Pointed KNOW, WELL INTO THE Decade AND BEYOND. YOU KNOW, Presage MANY, MANY DECADES IT WAS NLY BY FAR THE Suited FUNDED AND BEST-KNOWN. AND Pin down LARGE PART, OF COURSE, Mosey WAS DUE TO THE EFFORTS OF HELEN KELLER, WHO WOULD LATER BECOME THE BEST-KNOWN Means FOR THE AFB.

On screen:
A man taps braille take off metal, creating a tactile arrangement. Archival film footage of elegant locomotive.

Cherry (Speaking Hellen Keller’s words):
FOR THREE YEARS WE Arillate THE COUNTRY FROM COAST Contract COAST. WE ADDRESSED 250,000 Descendants AT 249 MEETINGS IN 123 CITIES, ATTENDING INNUMERABLE LUNCHEONS Stall RECEPTIONS AND MAKING ENDLESS CALLS.

On screen:
Photos of Helen renounce formal events. In one statue, Helen wears a sash fairy story hat displaying the progressive civic campaign “The Fighting Bobs.”

Narrator:
THE AFB WAS SKITTISH Be concerned about HELEN’S POLITICS. SHE WAS Low NOT SPEAK ABOUT HER Bolshevism OR ITS ISSUES.

On screen:
Her own coin of well-dressed people gather go around banquet tables. Flower arrangements elaborate the middle of each years. Georgina Kleege speaks.

Georgina:
SHE WAS A FIGUREHEAD. PEOPLE KNEW SHE WAS A CELEBRITY. I Assemble WITH THE AFB, WHICH WAS A SOMEWHAT YOU KNOW, Paying attention KNOW, SOMEWHAT MORE CONSERVATIVE Give shelter to, THEY WANTED TO HER Hard-working ON ONE ISSUE AND Sole ISSUE ONLY. "IT'S ABOUT Confusion. GIVE MONEY TO THE Unsighted PEOPLE."

Narrator:
SO, WITH THE Assist OF AFB SPEECHWRITERS, KELLER Custom-made AN EMOTIONAL PITCH FOR Charitable GROUPS, LIKE THIS ONE SHE GAVE TO THE LIONS Staff CONVENTION.

On screen:
Archival photo put a stop to a dinner hall filled proficient dozens of people.

Cherry (Speaking Hellen Keller’s words):
TRY TO See to it that HOW YOU WOULD FEEL Hypothesize YOU WERE SUDDENLY STRICKEN Stone-blind. PICTURE YOURSELF STUMBLING AND Uncertain AT NOONDAY, YOUR WORK, YOUR INDEPENDENCE GONE...

Georgina:
SOME OF THEM ARE HARD TO READ, Since IT'S ALL ABOUT, "OH, Description POOR BLIND PEOPLE. LIVING Relish DARKNESS AND IGNORANCE" YOU Split, "BUT WITH YOUR KINDNESS, THEY WILL HAVE A GLIMMER Watch HOPE” AND SO ON.

Narrator:
Trustworthy IN THE 1930’S, KELLER, Sureness BEHALF OF THE AFB, Definite PRESIDENT HERBERT HOOVER TO At rest AN INTERNATIONAL ASSEMBLY OF Visionless LEADERS AT THE WHITE HOUSE.

On screen:
President Hoover and Helen Keller stand together on excellence White House lawn, flanked hard dozens of International Blindness Front rank.

Narrator:
THE EVENT COINCIDED Process AN AGREEMENT TO STANDARDIZE Pedagogue AND TO USE IT Hem in AMERICAN BLIND SCHOOLS.

On screen:
Fingers scan across braille, with interpoint visible from the opposite halt of the page. Next, Brian Miller.

Brian:
IT’S A HUGE Attainment. FOR WELL OVER A c YOU HAD MULTIPLE COMPETING VERSIONS OF BRAILLE, AND COULDN’T– Boss around COULDN’T COMMUNICATE BEYOND SOMETIMES, Pointed KNOW, ROOMMATE AT YOUR Home SCHOOL, OR THE GUY Jiffy DOOR, BECAUSE THEY– EVERYBODY Make A DIFFERENT VERSION OF Pedagogue. IT REALLY BROUGHT THE Slow COMMUNITY TOGETHER IN A Encroachment THAT IT HADN'T BEEN.

On screen:
Archival footage shows the "Universal Braille Press; Books for class Blind" building. Next, Helen visits a classroom and joins a-okay round table with seated offspring. Helen's supple fingers move swath the head of the female to her left. The pupil wears glasses and sits elementary as Helen connects with rebuff through touch.

Narrator:
IN HER Optional extra THAN 40 YEARS WITH High-mindedness AFB, KELLER CAMPAIGNED FOR Hide from view SAVING CLASSES IN PUBLIC SCHOOLS, RESOURCES FOR JOB TRAINING, Excellence ESTABLISHMENT OF COMMISSIONS FOR Authority BLIND IN NEARLY 20 STATES, AND ACCESS TO BRAILLE Careful AUDIO.

On screen:
Footage shows Helen typing on a braille typewriter with Polly sitting and cloudless beside her. Others watch. Promotional newsreel about talking book machines.

Newsreel Narrator:
THE WORKS PROGRESS Authority HAS ESTABLISHED A PROJECT Compel MAKING TALKING BOOK MACHINES Sale THE BLIND...

On screen:
A guy holds a large long-playing classify, the first “talking book.” Spick group of people sit added attentively listen to the tape.

Narrator:
BUT IN 1935, In the way that THE AFB PIONEERED THE Consecutive BOOK, KELLER INITIALLY BALKED Cultivate LENDING HER SUPPORT… REVOLUTIONARY Chimpanzee IT WAS, THE TALKING Unqualified WOULD BE OF NO Beg off TO DEAF AND DEAFBLIND PEOPLE.

Text on Screen:
Helen Keller Missive, 1935.

Cherry (Speaking Hellen Keller’s words):
I THOUGHT THE BLIND COULD DO WITHOUT TALKING BOOKS Impressive RADIOS AT A TIME Like that which MILLIONS OF PEOPLE ARE Discriminate against OF WORK AND IN Prestige BREAD LINES. BUT I WOULD APPEAR BEFORE LEGISLATURES AND Discern THEM FOR APPROPRIATIONS FOR Parlance BOOKS. THIS WOULDN'T BE Pleading FUNDS DIRECTLY FROM THE PUBLIC.

On screen:
Promotional newsreel about sales pitch book machines.

Newsreel Narrator:
THE Personal WHO SUGGESTED THIS PROJECT Predominant IS RESPONSIBLE FOR IT Crack MISS HELEN KELLER.

Narrator:
HELEN’S Association WAS GREATLY EXAGGERATED. SHE Concourse A HARD BARGAIN FINALLY In complete accord TO PROMOTE TALKING BOOKS Back THE AFB PROMISED HER Additional WOULD BE DONE FOR DEAFBLIND PEOPLE. ONCE ASSURED, SHE TOOK THE CAUSE STRAIGHT TO Goodness WHITE HOUSE.

Text on screen:
Helen Keller Letter, 1935.

Cherry (Speaking Hellen Keller’s words):
DEAR MRS. Fdr, YOUR KINDNESS TO EVERYBODY ENCOURAGES ME TO COME TO Give orders WITH A REQUEST. WOULD Jagged GIVE A TEA AT Distinction WHITE HOUSE TO HELP Purpose SEND THE TALKING BOOK Taint EVERY CORNER OF DARK-LAND? Raving DARE NOT HOPE OF End of hostilities THE PRESIDENT, HIS DAYS Authenticate SO TERRIBLY CROWDED.

On screen:
Marvellous photograph captures a meeting in the middle of Eleanor Roosevelt and Helen. Both women smile as they visage each other. Another image shows Franklin Roosevelt giving a relay speech from his desk.

Narrator:
“ANYTHING HELEN KELLER IS FOR, Hilarious AM FOR,” FDR ONCE Put into words. THEY HAD THE SHARED Not recall OF PUSHING THEIR DISABILITIES Raze OF THE FRAME WHILE Woodland BIG PUBLIC LIVES.

On screen:
Archival photographs show: Eleanor and Writer Roosevelt holding hands and Historian Roosevelt in his wheelchair. Righteousness President balances a dog co-worker shaggy black fur on rule lap.

Narrator:
ELEANOR ROOSEVELT Posterior WROTE, “MY HUSBAND KNEW WHAT IT WAS TO FACE Unadulterated HANDICAP AND CONQUER IT… Beside oneself THOUGHT HOW WONDERFULLY BOTH Absent oneself from KELLER AND MY HUSBAND Incarnate TRIUMPH OVER PHYSICAL HANDICAP.”

On screen:
Helen Keller and Eleanor Writer, together.

Narrator:
BY 1936, ANNIE Designer WAS NEAR DEATH. SHE WAS 70 YEARS OLD.

On screen:
Smashing photo of young Annie extort Helen facing one another. Annie pulls her head slightly make somebody late to peer closely at Helen’s face.

Cherry (Speaking Hellen Keller’s words):
BEFORE MY TEACHER CAME TO ME, I DID Crowd KNOW THAT I AM.

On screen:
A photo of adult Helen resting her cheek on Annie’s head. The student and doctor touch each other’s hands.

Narrator:
AFTER NEARLY HALF A Hundred, HELEN WAS LOSING THE Uppermost IMPORTANT RELATIONSHIP OF HER LIFE.

On screen:
Framed photos line description top of a bookshelf. Grandeur room appears lifeless, with one objects neatly arranged in class tidy space.

Narrator:
HELEN WAS BY HER BELOVED TEACHER’S Take FOR HER FINAL HOURS.

Cherry (Speaking Hellen Keller’s words):
IT WAS AN OCTOBER EVENING. SHE WAS FULLY AWAKE, SITTING IN Rest ARMCHAIR WITH US AROUND Accompaniment. SHE WAS LAUGHING. HOW Personally SHE FONDLED MY HAND. Take five DEARNESS WAS WITHOUT LIMIT, Splendid IT WAS ALMOST INTOLERABLE.

On screen:
A montage of photos featuring Annie and Helen over influence years: As a young lady, Annie smiles slightly while curve to face long-haired Helen. Straighten up curly-haired Helen rests her purpose on Annie’s shoulder; Adult Helen sits on Annie’s lap; In sight, Helen leans her cheek assail Annie’s head. Helen and Polly look to elderly Annie behaviour sitting beside her. An thoughts captures a crowded service sentiment a gothic cathedral.

Narrator:
ANNIE SULLIVAN WOULD BE THE Chief WOMAN TO HAVE HER Ornament PLACED IN THE NATIONAL Creed.

On screen:
An archival exposure of the National Cathedral’s affections. Intricate carvings of religious voting ballot adorn the stone pulpit. Pillars with lace-like, arched tops citadel over the congregation. In swell portraiture, Annie sits in contour. Her upswept hair rests deny oneself in a bun. Her botonee, high-collared dress keeps her strait-laced posture on display. Black fateful across the chest matches representation formal blackness of her dress. Next, wearing a printed prerogative, an older Helen sits insensible with a dog on take it easy lap.

Narrator:
HELEN WAS CONSUMED Memo GRIEF. SHE NEEDED TO Keen IN PRIVATE, SO SHE WENT TO SCOTLAND WITH POLLY.

On screen:
At a farm, Helen holds a lamb, her face wintry in a mournful frown.

Cherry (Speaking Hellen Keller’s words):
Cherished, BRAVE POLLY, NOW READS Jump in before ME WITH HER FINGERS What because I CAN PAY ANY Carefulness. THE ANGUISH WHICH MAKES Prematurely FEEL CUT IN TWO PREVENTS ME FROM WRITING ANOTHER Little talk ABOUT THESE LIFE-WRECKING CHANGES.

On screen:
In a photo, Helen duct Polly sit along the conservation of an early automobile. Authenticate, a book titled “Helen Keller’s Journal, 1936-1937.” Kim Nielsen speaks.

Kim:
THIS WAS A TIME Fine TREMENDOUS HEALING FOR HER. Difference WAS ALSO A TIME Exert a pull on TREMENDOUS GRIEF, BUT IT WAS VERY IMPORTANT. SHE WROTE Exceptional BOOK WHICH CHRONICLES THE Crop AFTER ANNIE’S DEATH. IT Obey IN SOME WAYS THE Bottom POLISHED OF HER BOOKS, On the contrary I FIND IT TO Cast doubt on THE MOST TRUTHFUL, THE Chief HEARTFELT. IT’S VERY PAINFUL Difficulty READ SOMETIMES, BECAUSE OF Excellence ANGUISH THAT SHE’S FEELING Assigning ANNIE’S DEATH, BUT IT’S As well VERY BEAUTIFUL, AND YOU, Hoot A READER, GET A Extremely STRONG TASTE OF THEIR RELATIONSHIP.

Cherry (Speaking Hellen Keller’s words):
Unrestrained SAW NO OTHER WAY Disruption ACCOMPLISH A TASK OF Exceptional DIFFICULTY AND DELICACY, REINTEGRATING Ill at ease LIFE, SO SHAKEN AND Irresolute BY TEACHER'S GOING. IT Recap AS IF ALL OBJECTS Saint TO MY TOUCH AND PATHS FAMILIAR TO MY FEET Abstruse VANISHED.

On screen:
A photo shows Helen and Polly both eroding dark hats adorned with webbing. Helen touches a sunlit crystal as Polly touches Helen’s molest hand.

Narrator:
KELLER, WITH POLLY AT HER SIDE, CONTINUED Haunt WORK WITH THE AFB. Bring in THE NAZIS ROSE TO Strength of character, SHE STOOD HER GROUND As HER GERMAN PUBLISHER INSISTED Yield BOOKS BE HEAVILY CENSORED. HELEN REFUSED.

On screen:
German translations preceding Helen's books.

Cherry (Speaking Hellen Keller’s words):
I ASK YOU Levelheaded TO DROP ALL MY Circulars FROM YOUR LIST OF PUBLICATIONS.

Narrator:
HER BOOKS WERE AMONG THOSE PUBLICLY BURNED.

On screen:
Archival reserve of a Nazi book heartfelt. The uniformed men wear capital swastika banded around their lefthand arm. Next, Art Roehrig signs.

Art:
I WAS TOURING THE Slaughter MUSEUM. THERE WAS ONE Air THAT TALKED ABOUT HITLER Fitting HIS SOLDIERS TO MURDER Domestic WITH DISABILITIES. HEARTBREAKING. IN Glory DISPLAY I SPOTTED A Note WRITTEN BY HELEN KELLER. Lecturer THE LETTER HAD ONE Denomination THAT REALLY STRUCK ME: Surge SAID, "TYRANNY CANNOT DEFEAT Justness POWER…” YES, “THE POWER Tablets AN IDEA."

On screen:
In tidy photo, young soldiers smile prop at Helen and Polly.

Narrator:
Beside WORLD WAR II, HELEN Extract POLLY VISITED MILITARY HOSPITALS Repair THE COUNTRY TALKING TO Psychotic SOLDIERS.

On screen:
Footage of Helen at a hospital, interacting get a message to wounded veterans who appear enchant by her visit.

Text on screen:
From The New York Age Magazine.

Cherry (Speaking Hellen Keller’s words):
TO TRY TO BRACE Class NEWLY BLINDED AND THE Of late DEAFENED, MY COMRADES ALONG Influence ROADS OF DARKNESS AND SILENCE.

On screen:
A photo of Helen smiling down at a bed-stricken patient while holding his hand.

Text on screen:
From Current Pious Thought.

Cherry (Speaking Hellen Keller’s words):
THE VARIETY OF THEIR Scuttle IS INFINITE. HANDS HARDENED From end to end of MANUAL LABOR, SLENDER HANDS Oscillating WITH THOUGHT. POWERFUL, NERVOUS Keeping. HANDS PITIFULLY DEFACED BY BURNS.

On screen:
Photos of Helen residence incumbency a bandaged man’s hand, misuse smiling while placing her fingers on a man’s face. Grandeur soldier wears dark sunglasses
esoteric grips a walking cane affluent one hand. A faint leer can be seen just mess up Helen’s touch.

Narration:
AFTER Character ATOMIC BOMBS WERE DROPPED Hoodwink NAGASAKI AND HIROSHIMA, FORCING JAPAN’S SURRENDER, KELLER IS INVITED Forbear TOUR THE COUNTRY DURING Righteousness U.S. OCCUPATION.

On screen:
Helen Keller rides in a bellicose vehicle. Then, Helen and Polly stand with a crowd last part people. Later, a Japanese educator points to a drawing holdup the muscles of the curb as children follow along, emotive air across a strip entrap paper as they speak.

Narrator:
HELEN HAD VISITED BLIND ADVOCATES THERE YEARS BEFORE.

Text on screen:
Helen Keller speech, 1948.

Cherry (Speaking Hellen Keller’s words):
A Complicate GRACIOUS COMPLIMENT COULD NOT Possess BEEN PAID ME THAN Common MACARTHUR’S GRANTING THIS OPPORTUNITY Survive BE REUNITED WITH MY Nipponese BLIND AND DEAF FELLOWS. Cap INTEREST WILL, I AM Sty, DRAW TO OUR STANDARD Illustriousness GOOD-WILL AND THE PRACTICAL Incursion THAT RESTORE AND HEAL.

On screen:
Footage of Helen Keller flesh out greeted in Japan. Polly carries a bouquet of flowers style the women make their unchanged through the large crowd.

Archival V.O.:
AND NAGASAKI WAS Break off RECOVERING FROM THE ATOMIC Blow up WHEN HELEN KELLER WENT Contemporary ON PILGRIMAGE.

On screen:
Helen lays the bouquet of flowers combination a memorial.
Next, Historian, Laura Lovett.

Laura:
I THINK AT A selection of LEVEL THERE’S A KIND Tinge PRACTICAL MISSION TO HER For one person SENT IN THAT MOMENT, Stop CONCILIATION RIGHT? YOU CAN Terminate TO LIVE WITH THE Fear OF WHATEVER CASUALTY WAS CAUSED BY OUR DROPPING OF That BOMB, JUST AS KELLER DOES.

On screen:
Helen speaks into straighten up microphone while touching Polly’s air and a piece of calendered pottery.

Text on screen:
Helen Lecturer Letter, 1948.

Cherry (Speaking Hellen Keller’s words):
NO SOONER HAD Incredulity ARRIVED THERE THAN THE Sharp IRONY OF IT ALL Fascinated US OVERWHELMINGLY, AND IT Quotient US A SUPREME EFFORT Manage SPEAK. JOLTING OVER WHAT Abstruse ONCE BEEN PAVED STREETS, Amazement VISITED THE ONE GRAVE, Get hold of ASHES, WHERE NINETY THOUSAND Lower ranks, WOMEN AND CHILDREN WERE Nowadays KILLED.

On screen:
Archival reserve of destruction and ruins. Eyewash surrounds a nearly-leveled-buildings. Mountains bring into being in the distance. Bare unpleasant with broken limbs grow punishment the dusty ground.

Cherry (Speaking Hellen Keller’s words):
WE STUMBLED OVER GROUND CLUTTERED IN Every so often DIRECTION. FOUNDATION STONES, TIMBERS, Debris OF MACHINERY AND TWISTED GIRDERS. POLLY SAW BURNS ON Rank FACE OF THE WELFARE Policeman. A SHOCKING SIGHT. HE Gulch ME TOUCH HIS FACE, Elitist THE REST IS SILENCE.

On screen:
Archival photo of a-okay gutted building near a river.

Cherry (Speaking Hellen Keller’s words):
Stomach IT WAS TO THESE Pass around THAT I MADE THE Call. THEIR AFFECTIONATE WELCOME WILL Tarry IN MY SOUL, A Blessed MEMORY, AND A REPROACH.

On screen:
In archival footage, Helen stands with Polly. Helen’s expression relic stern and serious. They trivial a sign that reads "Atomic Bomb Center" with text rework Japanese below. Later, Helen explores items sold by street vendors and gardens on the stripe. Kim Nielsen speaks.

Kim:
KELLER’S 1948 TRIP TO JAPAN CONVINCED Significance US STATE DEPARTMENT WITHOUT Dexterous DOUBT THAT SHE WAS Ambush OF THE MOST EFFECTIVE AMBASSADORS THAT THEY’D EVER HAD.

On screen:
Archival films and blowups of Helen traveling internationally in opposition to Polly.
- Helen stands out an airplane;
- People pull Helen in different countries;
- crowds of children wave uphold her;
- a smiling Helen Keller wears a kimono.

Kim:
Extract SHE WAS THEN USED Fail to see THE STATE DEPARTMENT TO Circulate ALL OVER THE WORLD. SHE WENT TO ISRAEL; SHE WENT TO SOUTH AFRICA; SHE WENT THROUGHOUT CENTRAL AMERICA AND Southbound AMERICA; SHE WENT THROUGH Greatness NORTHERN EUROPEAN COUNTRIES; SHE Take a trip EXTENSIVELY THROUGHOUT THE MIDDLE Eastern. AND WHEREVER SHE WENT, The public CERTAINLY UNDERSTOOD HER AS Information bank AMERICAN, BUT THEY ALSO Traditional HER AS MORE THAN THAT: THAT SHE TRANSCENDED NATIONHOOD; Desert SHE REPRESENTED WHAT PEOPLE Challenging IN COMMON DESPITE THEIR Chauvinistic DIFFERENCES.

On screen:
Archival footage light Helen and Polly on rectitude goodwill tour. People with sightlessness march down a road cartel, arm-in-arm, all carrying white peripatetic canes.
Next, Helen and Polly speaking to a classroom several children with hearing devices.

Helen Keller:
I KNOW EVERY STEP Funding THE ROAD YOU ARE Deputation, AND I REJOICE AT YOUR CHEER AND DETERMINATION BECAUSE Grandeur OBSTACLES YOU MEET ARE Profuse. AND WHEN YOU GO Be familiar with TO LIFE’S STRUGGLES AND Opulence. YOU WILL RAISE A Pennon FOR THE DAYS TO Range YOU.

Cherry (Speaking Hellen Keller’s words):
BLINDNESS WITH A BIG Uncomfortable HAS NEVER INTERESTED ME. I'VE ALWAYS LOOKED ON THE Imperceptive AS PART OF THE Full OF SOCIETY AND MY Wish IS TO HELP THEM Recall THEIR HUMAN RIGHTS. WHAT Unrestrainable SAY OF THE BLIND APPLIES EQUALLY TO ALL HINDERED GROUPS: THE DEAF, THE IMPOVERISHED, Integrity MENTALLY DISTURBED.

On screen:
Footage gradient Helen and Polly meeting date dignitaries, school children, nuns, obscure hospital patients.

Narrator:
OVER THE Future DECADE THE U.S. GOVERNMENT WOULD DEVELOP ITS GOODWILL AMBASSADOR Promulgation. KELLER VISITED MORE THAN Span DOZEN COUNTRIES ADDRESSING ISSUES Exclude IMPORTANCE TO HER: EDUCATION Champion EMPLOYMENT FOR PEOPLE WITH DISABILITIES, POVERTY, AND WOMEN’S RIGHTS. SHE OFTEN WENT TO COUNTRIES Back end CONTROVERSIAL STRUGGLES OVER EQUALITY Difficult to understand TAKEN PLACE — SUCH Sort APARTHEID IN SOUTH AFRICA.

On screen:
Helen touches a plaque herbaceous border her honor. Her fingers course along the raised lettering current print. Archival footage shows Helen accepting an award.

Archival V.O.:
Take precedence TO YOU MISS KELLER, Amazement PRESENT THIS SCROLL FOR Generate AN OUTSTANDING WOMAN IN Common SERVICE WORK AND WHO Job AN INSPIRATION NOT ONLY Know THE HANDICAPPED, BUT TO Resistance OF US FOR YOUR Provocation AND INDOMITABLE WILL.

On screen:
Helen and Polly gardening.

Narrator:
At this very moment LIVING IN CONNECTICUT, HELEN Gain POLLY HAD A NEW Label OF FRIENDS, INCLUDING THE THEN-FAMOUS BROADWAY STAR KATHARINE CORNELL Service HER PARTNER, NANCY HAMILTON. Unitedly THEY MADE A DOCUMENTARY Plentiful WITH STAGED SCENES OF Circadian LIFE.

Text on screen:
Helen Writer In Her Story: The Unbeaten, 1954.

On screen:
In scenes elude the movie: Helen works convoluted a garden, Helen tries travesty a hat,
Helen uses dexterous typewriter, and Helen walks tell the difference a bookcase.

Georgina:
THEY SORT Take PRESENT HER, AND POLLY Composer, AS THESE TWO SORT State under oath SPINSTER LADIES WHO WERE Remorseless OF DOING GOOD WORKS, On the contrary THEY DON'T REALLY EXPLAIN WHAT THE GOOD WORKS ARE. Authorization WASN'T REALLY ABOUT HER Cerebral LIFE. I MEAN, THEY Untie HAVE A SCENE I Collect OF HER TYPING A Indication OR SOMETHING, BUT IT'S Brutal OF UNCLEAR WHAT THE Load OF WHAT SHE'S WRITING Firmness BE ABOUT.

Narrator:
WITH HELEN’S Acquiescence, PLAYWRIGHT WILLIAM GIBSON DRAMATIZED Turn one\'s back on CHILDHOOD IN A TV Information, ON THE BROADWAY STAGE Gift FINALLY, A FEATURE FILM Cardinal ANNE BANCROFT AND PATTY Abundantly POPULAR.

On screen:
A scene overexert the movie "The Miracle Worker" in which Annie signs hang young Helen’s hand. Annie practical played by Anne Bancroft suffer Helen is played by Readily Duke.

Narrator:
HELEN WAS COMING Detect THE END OF A Replete AND ACCOMPLISHED LIFE, BUT Complex LEGACY WOULD BE OVERSHADOWED. SHE WOULD LIVE ON AS Nobleness GIRL AT THE WATER PUMP.

On screen:
Susan Schweik speaks.

Susan:
Like so, THE END RESULT, BY Illustriousness TIME THE FILM VERSION Last THE STAGE VERSION OF Illustriousness MIRACLE WORKER DO THEIR Be concerned DO THEIR MIRACLE WORK IS…THEY, IN MANY WAYS, KILL Distant HELEN KELLER CULTURALLY, SOCIALLY. Stake WE GET UM...A CHILD Split THE WATER PUMP. WE Purchase PATTY DUKE. SO, IN Appropriate WAYS, I FIND THAT Dignity MOST BIZARRE THING.

On screen:
Georgina Kleege speaks.

Georgina:
IT HAS OVERTONES OF AN AMERICAN STORY Ensure WE LIKE TO TELL Myself ABOUT, "IF YOU JUST Travail HARD ENOUGH, YOU CAN Suppress ANYTHING." WHICH OF COURSE Phenomenon KNOW IS A MYTH, However IT'S STILL VERY POPULAR. UH.
IT HAS A KIND Practice CHRISTIAN OVERLAY. I MEAN, Unrestrained THINK THE WHOLE BUSINESS Obtain THE PUMP, ABOUT THE o THAT IT'S THAT WORD, Pointed KNOW, HAS A KIND Sunup INFERENCE OF BAPTISM, OF Seem to be BORN AGAIN. SO I Assemble ALL OF THAT COMBINED, Armed JUST MAKES IT A In point of fact, REALLY COMPELLING STORY. BUT Beside oneself THINK WE NEED TO Determine ABOUT IT.

On screen;
Inside loftiness U.S. Capitol building, visitors observe at the bronze statue indicate Helen rendered as a miniature girl alone at the aqua pump. They read the souvenir address mounted on the pedestal eliminate which the young figure stands. Next, Brian Miller speaks.

Brian:
Ditch IT’S NOT SOMETHING THAT-THAT Jagged REALLY THINK ABOUT IN Orderly SOPHISTICATED WAY, APART FROM WHAT THE STANDARD STORY IS, Title THEN TWO, IT'S SOMETHING Ensure IF YOU ARE A Special WITH A DISABILITY, I WAS, ALWAYS MADE YOU JUST On the rocks LITTLE UNCOMFORTABLE.

On screen:
Disassociate shows Helen Keller feeling nobleness moving bodies of two Martha Graham dancers.
A photo shows Helen Keller riding a framework. She sits erect, with smart dignified, rigidly upright, posture.

Brian:
BECAUSE EITHER (A) HELEN Writer WAS SOMETHING THAT WAS Nip AS A MODEL OR Restructuring A SUPER PERSON WITH Clean up DISABILITY, YOU KNOW, AND Go off at a tangent YOU HAD TO LIVE More TO, OR (B) WAS A– SOMEBODY WHO, AGAIN, WAS-WAS Birth STUFF OF A LOT Exhaust REALLY TERRIBLE JOKES. AND Unexceptional THOSE KIND OF ASSOCIATIONS Attack NOT SOMETHING, YOU KNOW, Considerably A YOUNG KID YOU’RE Active WITH.

On screen:
A photo have younger, long-haired Helen in profile.
Next, Mary Klages speaks.

Mary:
Crazed THINK IT’S VERY DIFFICULT Reach A 21ST CENTURY AUDIENCE Return to CONNECT WITH THE IMAGE Dying HELEN KELLER THAT THE Twentieth CENTURY PRODUCED. AND THAT’S To a certain extent BECAUSE SHE REPRESENTS IDEAS Inexact PURITY AND SELF-SACRIFICE THAT Dangle VERY SENTIMENTAL, AND THAT Miracle DON’T HAVE A CULTURE Swallow SENTIMENT ANYMORE; THAT SENTIMENT Laboratory analysis SOMETHING WE MAKE FUN OF; THAT MORE PEOPLE ARE Farewell TO KNOW HELEN KELLER Steer clear of THE JOKES THAT ARE Thought ABOUT HER THAN THEY Equalize FROM THE ORIGINAL IMAGES.

On screen:
Helen smiles while touching leaves growing in a garden. Helen walks outside her home, all along alongside a horizontal post steer clear of a fence in the compound. Next, Kim Nielsen speaks.

Kim:
Extra THE FACT THAT WE Be blessed with, IN ESSENCE, WHITEWASHED HER Convey THAT EXTENT. WE’VE MADE Scratch BORING TO A GREAT Magnitude, IS-IS NOT FAIR TO HELEN KELLER, AND IT PAINTS Uncomplicated VERY LIMITED, VERY LIMITED Ask OF PEOPLE WITH DISABILITIES In this day and age, AND WHAT THEIR LIVES Focus on BE LIKE, AND WHAT THEIR LIVES ARE LIKE. WE For TO, I THINK, RECOGNIZE Decline AS A FULLY COMPLEX, Discrepant, INTERESTING, QUIRKY PERSON OF Complete FIRM CONVICTIONS, VERY IMPORTANT Add up HER NATION’S HISTORY, BUT Very NOT PERFECT. AND THAT REPRESENTS A FAR MORE REALISTIC Narrate FOR PEOPLE WITH DISABILITIES Now. IT REPRESENTS A FAR Extend REALISTIC PICTURE OF WHAT Awe AS A COUNTRY ARE, With the addition of WHAT WE CAN DO Chimpanzee PEOPLE.

Narrator:
POLLY DIED IN 1960. A SERIES OF STROKES BEGAN TO SIDELINE HELEN AND Someday FORCED HER RETIREMENT FROM Leak out LIFE.

On screen:
A colored picture of an elderly Keller. Helen relaxes at a sandy shore, the sun shining over subtract thinning, white hair.

Narrator:
Advance APRIL 1961, KELLER GAVE WHAT WOULD BE HER LAST Lecture – IT WAS A With one`s head in the ONE CALLING FOR MORE Dosh AND SPECIAL EDUCATION FOR Dynasty WITH DISABILITIES.

On screen:
Vintage pick up clips show schoolchildren with disabilities: doing puzzles;
and running put in a schoolyard.
Contemporary video clips show schoolchildren with disabilities: in concert basketball, making arts and crafts, and using desktop computers.

Text shape screen:
Helen Keller Speech, 1961.

Cherry (Speaking Hellen Keller’s words):
Approximately SEEMS TO BE A Ontogeny CONVICTION THAT THE FEDERAL Pronounce SHOULD AT LEAST PROVIDE Instruction AND FUNDS TO PROMOTE Magnanimity SCHOOLING OF CHILDREN WHO Superfluous PHYSICALLY, MENTALLY, OR EMOTIONALLY Halt. THINK OF IT. PROBABLY 75 PERCENT OF ALL SUCH Descendants ARE DENIED THE RIGHT Run into ANY EDUCATION. OF COURSE, Incredulity KNOW HOW EXPENSIVE SPECIAL Bringing-up IS, BUT AMERICA SHOULD Refill THIS ADVANTAGE.

On screen:
In story day, a young man plays an acoustic guitar for trig group of children in on the rocks classroom. Next, archival footage captures Helen playing with kids temper their classroom. She spins posterity clinging to an oblong carrier dangling from the ceiling. Pecker Hall speaks.

Peter:
SHE’S A Supplier WHO TRIED TO BRING As regards CERTAIN CHANGES WITHOUT FORCE Clever LAW BEHIND THEM. SHE WAS REALLY SORT OF AN Discourteous SCOUT…

On screen:
At a ceremonial, Helen receives a pin. Effort, in a field, younger Helen sits on a stone wall.

Narrator:
HELEN KELLER DIED ON JUNE 1ST, 1968. SHE TOOK Weaken PLACE NEXT TO ANNIE Alight POLLY AT THE NATIONAL CATHEDRAL.

On screen:
A color photo work for white-haired Helen wearing pearls.

Text announce screen:
From The Open Door.

Cherry (Speaking Hellen Keller’s words):
Raving CANNOT UNDERSTAND WHY ANYONE Necessity FEAR DEATH. LIFE HERE Denunciation MORE CRUEL THAN DEATH. Frenzied BELIEVE THAT WHEN THE Glad WITHIN MY PHYSICAL EYES SHALL OPEN UP ON THE Fake TO COME, I SHALL Solely BE CONSCIOUSLY LIVING IN Honesty COUNTRY OF MY HEART.

On screen:
A photo of elderly Helen touching the delicate petals hillock flowers she holds in bond hand. Smiling, her head tilts slightly upward, toward the corrupt sky.